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You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard
16 references·3 citing·30 second hop
You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard (2001)You Keep Coming Back Like A Song: Adult A…Swingin' the Dream (1998)Swingin' the DreamThe song is ended: songwriters and American music, 1900-1950 (1996)The song is ended: songwriter…The American popular ballad of the Golden Era, 1924-1950 (1996)The American popular ballad o…Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…America on record: a history of recorded sound (1996)America on record: a history …Thinking in Jazz (1994)Thinking in JazzThe New Grove Dictionary of Jazz (1994)The New Grove Dictionary of J…The Field of Cultural Production (1994)The Field of Cultural Product…AudienceMaking: How the Media Create the Audience (1994)AudienceMaking: How the Media…American Popular Music Business in the 20th Century (1991)American Popular Music Busine…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …The Capitalization of Cultural Production (1989)The Capitalization of Cultura…How Old Are You? (1989)How Old Are You?Highbrow/Lowbrow (1988)Highbrow/LowbrowAmerican Popular Song. The Great Innovators, 1900-1950 (1974)American Popular Song. The Gr…The Slang of Jazz (1937)The Slang of JazzSam Cooke as Pop Album Artist—A Reinvention in Three Songs (2012)Sam Cooke as Pop Album Artist…Sound Studies: Missing the (Popular) Music for the Screens? (2008)Sound Studies: Missing the (P…STRUCTURAL POWER AND THE CONSTRUCTION OF MARKETS: THE CASE OF RHYTHM AND BLUES (2005)STRUCTURAL POWER AND THE CONS…Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Making Tracks: The Ontology of Rock Music (2006)Between silence and pain: loudness and the affective encounter (2015)Musical Rhythm in the Age of Digital Reproduction (2016)Sounds of Whiteness: Local Radio, Racial Formation, and Public Culture in Chicago, 1921-1935 (2002)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)From Celebrity to Influencer: Tracing the Diffusion of Celebrity Value across the Data Stream (2015)Computing the everyday: Social media as data platforms (2017)The Nested Precarities of Creative Labor on Social Media (2021)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)The Cambridge History of American Music (1998)(Ac)cumulative Form in Pop-Rock Music (2004)The Oxford Handbook of The American Musical (2011)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)Creative Cities, Creative Spaces and Urban Policy (2009)Building International Empires of Sound: Concentrations of Power and Property in the “Global” Music Market (2005)Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)TECHNOLOGICAL CHANGE WITHIN HIERARCHIES: THE CASE OF THE MUSIC INDUSTRY (2006)The Production of Culture Perspective (2004)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Legitimacy as a Social Process (2006)Technologies of truth: cultural citizenship and the popular media (1998)In the Social Factory? (2008)Critical Media Industry Studies: A Research Approach (2009)
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References

  • 1994The Field of Cultural Production3,293 cited
  • 1988Highbrow/Lowbrow1,097 cited
  • 1994Thinking in Jazz1,018 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 1989The Capitalization of Cultural Production219 cited
  • 1996America on record: a history of recorded sound209 cited
  • 1996The American popular ballad of the Golden Era, 1924-1950194 cited
  • 1998Swingin' the Dream193 cited
  • 1994AudienceMaking: How the Media Create the Audience188 cited
  • 1989How Old Are You?164 cited
  • 1994The New Grove Dictionary of Jazz104 cited
  • 1991American Popular Music Business in the 20th Century102 cited
  • 1996The song is ended: songwriters and American music, 1900-195086 cited
  • 1974American Popular Song. The Great Innovators, 1900-195056 cited
  • 1937The Slang of Jazz42 cited

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  • 2005STRUCTURAL POWER AND THE CONSTRUCTION OF MARKETS: THE CASE OF RHYTHM AND BLUES

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56 cited
  • 2012Sam Cooke as Pop Album Artist—A Reinvention in Three Songs14 cited
  • 2008Sound Studies: Missing the (Popular) Music for the Screens?6 cited