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Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy

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References

1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
1997Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification220 cited
1996Laser-Induced Fluorescence in Artwork Diagnostics: An Application in Pigment Analysis113 cited
1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited

Cited by

2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
2008Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts97 cited
2007An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis82 cited
2006A study of medieval illuminated manuscripts by means of portable Raman equipments72 cited
2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
2006Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS)70 cited
2014Cultural Heritage Applications of LIBS60 cited
2001In Situ Identification and Analysis of Automotive Paint Pigments Using Line Segment Excitation Raman Spectroscopy: I. Inorganic Topcoat Pigments

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60 cited

2008Characterization of Pousão Pigments and Extenders by Micro-X-ray Diffractometry and Infrared and Raman Microspectroscopy54 cited

2001Spectroscopic Analysis of Pigments and Binding Media of Polychromes by the Combination of Optical Laser-Based and Vibrational Techniques53 cited

2012Rethinking the History of Artists' Pigments Through Chemical Analysis48 cited

2001Raman microscopy in art history and conservation science48 cited

2003Raman spectroscopy of the minerals boléite，cumengéite， diaboléte and phosgenite — implications for the analysis of cosmetics of antiquity46 cited

2004A post-Byzantine icon of St Nicholas painted on a leather support. Microanalysis and characterisation of technique44 cited

2007The scientific investigation of artwork and archaeological artefacts: Raman microscopy as a structural, analytical and forensic tool43 cited

2016A multi-technique approach, based on mobile/portable laser instruments, for the in situ pigment characterization of stone sculptures on the island of Crete dating from Venetian and Ottoman period43 cited