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Advertising and the conquest of culture
8 references·16 citing·32 second hop
Advertising and the conquest of culture (2009)Advertising and the conquest of cultureDistinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Postmodern Music/Postmodern Thought (2013)Postmodern Music/Postmodern T…Beyond Exoticism (2007)Beyond ExoticismNation of Rebels: Why Counterculture Became Consumer Culture (2004)Nation of Rebels: Why Counter…Social Differentiation in Musical Taste Patterns (2001)Social Differentiation in Mus…The conquest of cool: business culture, counterculture, and the rise of hip consumerism (1998)The conquest of cool: busines…Who killed classical music?: maestros, managers, and corporate politics (1997)Who killed classical music?: …Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…Writing about Popular Music (2019)Writing about Popular MusicThe Cambridge History of Music Criticism (2019)The Cambridge History of Musi…Stop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Songs from Egyptian Slums to Media (2019)Songs from Egyptian Slums to …Hitting the ‘glass wall’: Investigating everyday ageism in the advertising industry (2019)Hitting the ‘glass wall’: Inv…Holy Hip Hop in the City of Angels (2017)Holy Hip Hop in the City of A…The taste for the particular: A logic of discernment in an age of omnivorousness (2016)The taste for the particular:…Music on the move, as object, as commodity (2015)Music on the move, as object,…From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign (2015)From Cautionary Chart-Topper …Unhealthy food, integrated marketing communication and power: a critical analysis (2014)Unhealthy food, integrated ma…Sell (It) Yourself: Marketing Pleasure in Digital DIY (2014)Sell (It) Yourself: Marketing…Fields, Genres, Brands (2014)Fields, Genres, BrandsIt’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field (2013)It’s really not hip to be a h…Reconceptualizing and Theorizing “Omnivorousness” (2012)Reconceptualizing and Theoriz…Kingdom Business: Holy Hip Hop's Evangelical Hustle (2012)Kingdom Business: Holy Hip Ho…“Joga Bonito Pelo Mundo, Guerreiro”: Music, Transmedia Advertising, and Brasilidade in the 2006 World Cup (2011)“Joga Bonito Pelo Mundo, Guer…Women, Fire, and Dangerous Things (1987)The Logic of Practice (1990)How Macro-Historical Change Shapes Cultural Taste (2013)Cultural sociology and new forms of distinction (2015)Advancing Research on Categories for Institutional Approaches of Organizations (2017)Subculture: The Meaning of Style (1995)Questions of Cultural Identity (1997)Studying Popular Music (1990)Structural Equations with Latent Variables. (1991)The Production of Culture Perspective (2004)How Cultural Tastes Shape Personal Networks (2006)Ideal Affect: Cultural Causes and Behavioral Consequences (2007)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Consumers' Need for Uniqueness: Scale Development and Validation (2001)Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)World Music in Television Ads (2000)The Economy of Music Programs and Organizations. A Micro Analysis and Typology (2010)After the Canon (2015)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Decomposed: a political ecology of music (2015)Consumption as voting: an exploration of consumer empowerment (2006)An emerging eco-habitus: The reconfiguration of high cultural capital practices among ethical consumers (2014)What Makes Things Cool? How Autonomy Influences Perceived Coolness (2014)Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores (2006)The Music of Louis Andriessen (2007)The Cambridge Companion to Jewish Music (2015)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1998The conquest of cool: business culture, counterculture, and the rise of hip consumerism852 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2007Beyond Exoticism285 cited
  • 2004Nation of Rebels: Why Counterculture Became Consumer Culture202 cited
  • 2013Postmodern Music/Postmodern Thought151 cited
  • 1997Who killed classical music?: maestros, managers, and corporate politics90 cited

Cited by

  • 2012Reconceptualizing and Theorizing “Omnivorousness”172 cited
  • 2013It’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field105 cited
  • 2019The Cambridge History of Music Criticism85 cited
  • 2016The taste for the particular: A logic of discernment in an age of omnivorousness75 cited
  • 2019Writing about Popular Music53 cited
  • 2014Fields, Genres, Brands44 cited
  • 2014Unhealthy food, integrated marketing communication and power: a critical analysis40 cited

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2017
Holy Hip Hop in the City of Angels
23 cited
  • 2019Hitting the ‘glass wall’: Investigating everyday ageism in the advertising industry20 cited
  • 2015From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign18 cited
  • 2011“Joga Bonito Pelo Mundo, Guerreiro”: Music, Transmedia Advertising, and Brasilidade in the 2006 World Cup14 cited
  • 2019Songs from Egyptian Slums to Media13 cited
  • 2012Kingdom Business: Holy Hip Hop's Evangelical Hustle7 cited
  • 2014Sell (It) Yourself: Marketing Pleasure in Digital DIY6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2015Music on the move, as object, as commodity4 cited