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Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach
16 references·6 citing·30 second hop
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References

  • 1962A History of Literary Criticism in the Italian Renaissance338 cited
  • 1946Harvard Dictionary of Music334 cited
  • 1993Dizionario della lingua italiana276 cited
  • 1962A History of Literary Criticism in the Italian Renaissance245 cited
  • 1939Machiavelli and Guicciardini209 cited
  • 1990Il dizionario della lingua italiana188 cited
  • 1957Ut Rhetorica Pictura: A Study in Quattrocento Theory of Painting170 cited
  • 1955The Classical Heritage and Its Beneficiaries145 cited
  • 1826Dictionnaire de musique95 cited
  • 1970The Harvard Dictionary of Music91 cited
  • 1970The Development of Florentine Humanist Historiography in the Fifteenth Century88 cited
  • 1902Storia dell' Accademia Platonica di Firenze83 cited
  • 1967Dialogo della musica antica et della moderna70 cited
  • 1980Fugue and Fugato in Rococo and Classical Chamber Music67 cited
  • 1992Acta ad archaeologiam et artium historiam pertinentia43 cited
  • 1972Le nuove musiche36 cited

Cited by

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  • 1990Rhetoric and Fugue: An Analytical Application21 cited
  • 1980The Source for Bach's Musical Offering: The Musical Offering of Quintilian10 cited
  • 2008“Die Ochsen am Berge”: Franz Xaver Süssmayr and the Orchestration of Mozart's Requiem, K. 6267 cited
  • 1982J. S. Bach's "St. Matthew Passion": Aspects of Planning, Structure, and Chronology7 cited
  • 199916 – La voix au XVIIe siècle6 cited
  • 1984Frescobaldi's Toccatas and their Stylistic Ancestry3 cited