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“THE LAW'S A BACHELOR”:OLIVER TWIST, BASTARDY, AND THE NEW POOR LAW
14 references·2 citing·30 second hop
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this work references cited by second hop

References

  • 1989Desire and Domestic Fiction: A Political History of the Novel.1,089 cited
  • 1980Prostitution and Victorian Society1,081 cited
  • 1995Imagining the Middle Class303 cited
  • 1995Melodramatic Tactics272 cited
  • 1990An Economic History of the English Poor Law, 1750–1850249 cited
  • 2000Dickens and the Daughter of the House209 cited
  • 1992Limited livelihoods: gender and class in nineteenth-century England190 cited
  • 2001Dickens's villains: melodrama, character, popular culture120 cited
  • 2016An Introduction to the English Novel90 cited
  • 1991The Politics of Story in Victorian Social Fiction83 cited
  • 2000The Politics of Illegitimacy in an Age of Reform: Women, Reproduction, and Political Economy in England's New Poor Law of 183472 cited
  • 1950The Dickens world58 cited
  • 1983John Millar and individualism45 cited
  • 2001Bentham, Dickens, and the Uses of the Workhouse28 cited

Cited by

  • 2021Making Social Spending Work78 cited
  • 2017Bull’s-eye, Agency, and the Species Divide in Oliver Twist: a Cur’s-Eye View

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19 cited