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Acoustic Palimpsests and the Politics of Listening
16 references·1 citing·36 second hop
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this work references cited by second hop

References

  • 1974The Interpretation of Cultures19,314 cited
  • 2004Precarious Life: The Powers of Mourning and Violence7,965 cited
  • 1999Ghostly Matters: Haunting and the Sociological Imagination4,345 cited
  • 2003Present Pasts2,264 cited
  • 1997Making Gender: The Politics and Erotics of Culture889 cited
  • 2008Sound moves: iPod culture and urban experience506 cited
  • 2008Reassembling the Social – An Introduction to Actor Network Theory495 cited
  • 1994The Sight of Sound: Music Representation and the History of the Body332 cited
  • 2007The Palimpsest : Literature, Criticism, Theory166 cited
  • 2003A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value133 cited
  • 1972Freud and the Scene of Writing133 cited
  • 2005Reinscribing De Quincey's palimpsest: the significance of the palimpsest in contemporary literary and cultural studies121 cited
  • 1998"Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making105 cited
  • 2005Music for the Revolution: Musicians and Power in Early Soviet Russia104 cited
  • 1971A note upon the 'Mystic writing-pad' (1925)69 cited

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  • 2008Voice as a technology of selfhood : towards an analysis of racialized timbre and vocal performance62 cited
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    • 2017Making Tapes in Poland: The Compact Cassette at Home41 cited