She's Come Undone:Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and Countercinema

Abstract

In a 1972 article, “Womens’ Cinema as Counter-Cinema,” Claire Johnston argues that realistic cinematic depictions of women only serve mainstream, bourgeois, patriarchal ideology. For a cinematic im...

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