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She's Come Undone:Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and Countercinema
7 references·3 citing·24 second hop
She's Come Undone:Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and Countercinema (2007)She's Come Undone:Chantal Akerman's Jeann…Identity and memory: the films of Chantal Akerman (2003)Identity and memory: the film…Nothing Happens: Chantal Akerman's Hyperrealist Everyday (1996)Nothing Happens: Chantal Aker…Nothing Happens (1996)Nothing HappensDiscipline and Punish: The Birth of the Prison. (1996)Discipline and Punish: The Bi…Chantal Akerman's Films: A Dossier (1979)Chantal Akerman's Films: A Do…Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Bi…Reflections on "Jeanne Dielman" (1977)Reflections on "Jeanne Dielma…Documenting the Domestic: Chantal Akerman's Experimental Autobiography as Archive (2017)Documenting the Domestic: Cha…Willful voices: a/synchronic sound in Chantal Akerman’s self-portrait films (2016)Willful voices: a/synchronic …Girlhood, postfeminism and contemporary female art-house authorship (2015)Girlhood, postfeminism and co…Women and the cinema : a critical anthology (1977)Klute 1: A Contemporary Film Noir and Feminist Criticism (1978)Film sound: Theory and practice (1985)Invisible storytellers: voice-over narration in American fiction film (1989)Willful Subjects (2014)Non-places: Introduction to an anthropology of supermodernity (1996)An Archive of Feelings (2003)THE PRACTICE OF EVERYDAY LIFE (2018)Postfeminist media culture (2007)The Aftermath of Feminism: Gender, Culture and Social Change (2008)What a Girl Wants? (2009)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Discourse Analysis as Theory and Method (2002)Five Misunderstandings About Case-Study Research (2004)“WE DON’T NEED TO DREAM NO MORE. WE GOT REAL ESTATE”: (2018)Sorting Things Out: Classification and Its Consequences (2000)Death Every Afternoon (2003)Andy Warhol’s Blow Job (2004)A HISTORY LONG OVERDUE: (2011)A short history of film (2008)Biopolitical screens: image, power, and the neoliberal brain (2015)Soul of the Documentary: Framing, Expression, Ethics (2015)And Introducing ? The Female Director: Documentaries about Women Filmmakers as Feminist Activism (2007)Blurred boundaries: remediation of found footage in experimental autobiographical documentary filmmaking (2017)
this work references cited by second hop

References

  • 1978Discipline and Punish: The Birth of the Prison.19,271 cited
  • 1996Discipline and Punish: The Birth of the Prison.15,379 cited
  • 1996Nothing Happens154 cited
  • 1996Nothing Happens: Chantal Akerman's Hyperrealist Everyday50 cited
  • 2003Identity and memory: the films of Chantal Akerman29 cited
  • 1977Reflections on "Jeanne Dielman"27 cited
  • 1979Chantal Akerman's Films: A Dossier20 cited

Cited by

  • 2017Documenting the Domestic: Chantal Akerman's Experimental Autobiography as Archive9 cited
  • 2016Willful voices: a/synchronic sound in Chantal Akerman’s self-portrait films6 cited
  • 2015Girlhood, postfeminism and contemporary female art-house authorship5 cited

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