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Avatares de la mirada: estrategias enunciativas del cine documental español contemporáneo
7 references·0 citing·22 second hop
Avatares de la mirada: estrategias enunciativas del cine documental español contemporáneo (2008)Avatares de la mirada: estrategias enunci…What a Documentary Is, After All (2005)What a Documentary Is, After …Introduction to documentary (2002)Introduction to documentaryNew Documentary: A Critical Introduction (2000)New Documentary: A Critical I…La representación de la realidad (1998)La representación de la reali…Historia general del cine (1995)Historia general del cineNarrative comprehension and film (1993)Narrative comprehension and f…Le signifiant imaginaire (1975)Le signifiant imaginaireTransparent Pictures: On the Nature of Photographic Realism (1984)Fiction, Non-fiction, and the Film of Presumptive Assertion: A Conceptual Analysis (1997)Visible Traces: Documentary and The Contents of Photographs (1999)Transnormativity: A New Concept and Its Validation through Documentary Film About Transgender Men (2016)Characterization and Character Engagement in the Documentary (2018)BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film (2019)The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)Interactive documentary: setting the field (2012)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)Positioning Theory and Discourse Analysis: Some Tools for Social Interaction Analysis (2008)Diseñando Mundos Transmedia: el caso Plot 28 (2013) (2019)La dinámica familiar y estilos de crianza: pilares fundamentales en la dimensión socioafectiva (2019)The Cinematic Apparatus (1981)The Cambridge History of Literary Criticism (1995)Mortal Ethics: Reading Levinas with the Dardenne Brothers (2007)Modes of interactivity: analysing the webdoc (2012)Exhibiting Cinema in Contemporary Art (2013)Visual Narrative Structure (2012)Mediated Martyrs of the Arab Spring: New Media, Civil Religion, and Narrative in Tunisia and Egypt (2013)Aesthetics as Philosophy of Perception (2016)El arte en el cine y su uso como ampliación del conocimiento del hecho artístico (2014)El estándar DCI en las filmotecas. El proceso de transición al sistema digital en la actividad filmotecaria contemporánea (2010-2014) (2015)
this work references cited by second hop

References

  • 2002Introduction to documentary1,606 cited
  • 1993Narrative comprehension and film610 cited
  • 2000New Documentary: A Critical Introduction476 cited
  • 1975Le signifiant imaginaire281 cited
  • 2005What a Documentary Is, After All145 cited
  • 1998La representación de la realidad91 cited
  • 1995Historia general del cine28 cited

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