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The “origin of samba” as the invention of Brazil (why do songs have music?)*
16 references·2 citing·32 second hop
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this work references cited by second hop

References

  • 1995Nations and nationalism since 1780 programme, myth, reality4,178 cited
  • 1977Culture and Practical Reason.1,499 cited
  • 1978Culture and Practical Reason1,224 cited
  • 1941On Popular Music400 cited
  • 1991Playing with Signs386 cited
  • 1989Text and Textuality252 cited
  • 1966Le Cru et Le Cuit206 cited
  • 1993A Discourse-Centered Approach to Culture: Native South American Myths and Rituals143 cited
  • 1978Jazz Styles: History and Analysis132 cited
  • 1992A Discourse‐Centered Approach to Culture: Native South American Myths and Rituals116 cited
  • 1988Sahlins, m. Culture and practical reason, chicago, university of chicago, 197683 cited
  • 1986Why Do Songs Have Words?47 cited
  • 1992A Passion for Polka42 cited
  • 1983Ethnic Recordings in America: A Neglected Heritage34 cited
  • 1977The fabulous phonograph, 1877-197729 cited
  • 1994A Passion for Polka: Old-Time Ethnic Music in America16 cited

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Brazil in France, 1922: An Anthropological Study of the Congenital International Nexus of Popular Music
8 cited
  • 2009‘I can’t believe the news today’: Music and the politics of change6 cited