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The Healing Drum: African Wisdom Teachings
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The Healing Drum: African Wisdom Teachings (1991)The Healing Drum: African Wisdom TeachingsAfrican Wisdom Traditions and Healing Practices: Performing the Embodied, Contemplative, and Group-based Elements of African Cosmology, Orality, and Arts Modalities (2023)African Wisdom Traditions and…TRADITIONAL DANCES AND BONGO FLEVA: A STUDY OF YOUTH PARTICIPATION IN NGOMA GROUPS IN TANZANIA (2013)TRADITIONAL DANCES AND BONGO …Rhythms of Culture: Djembe and African Memory in African-American Cultural Traditions (2013)Rhythms of Culture: Djembe an…Learning Aesthetic Values in African Musical Worlds (2007)Learning Aesthetic Values in …Honouring social work principles - exploring the connections between anti-racist social work and African-centred worldviews (2000)Honouring social work princip…Good vibrations? The curious cases of the didjeridu in spectacle and therapy in Australia (1998)Good vibrations? The curious …Traditional Healing in Africa: Implications for Cross‐Cultural Counseling (1991)Traditional Healing in Africa…The Encyclopedia of Philosophy. (1968)African Religions and Philosophy (1970)In Sorcery's Shadow (1987)Cross‐Cultural Mentoring in Counselor Education: A Strategy for Retaining Minority Faculty (1993)Gender and Biomedical/Traditional Mental Health Utilization Among the Bedouin-Arabs of the Negev (1999)A school mental health literacy curriculum resource training approach: effects on Tanzanian teachers’ mental health knowledge, stigma and help-seeking efficacy (2016)The Negro church in America (1964)The Atlantic Slave Trade: A Census (1970)The Atlantic Slave Trade: A Census. (1970)The (Mis)Representation of African American Music: The Role of the Fiddle (2016)Musical resilience strategies for African asylum seekers in Italy: the cultural mediator Bawa Salifu (2022)Playing in the dark: whiteness and the literary imagination (1992)Coloring Epistemologies: Are Our Research Epistemologies Racially Biased? (1997)An Analysis of Afrocentricity as Theory for Social Work Practice (2007)A Black Experience-Based Approach to Gender-Based Violence (2009)Social work and welfare education without discrimination. Are we there yet? (2017)Between Theater and Anthropology (1985)The Clash of Civilizations? (2000)Performing the Nation: Swahili Music and Cultural Politics in Tanzania (2002)THE TRANSITION OF SINULOG DANCE FESTIVAL IN THE FACE OF MODERNIZATION (2017)Disjuncture and Difference in the Global Cultural Economy (1990)Royal Commission into Aboriginal Deaths in Custody: final report (1991)Borrowed Power: Essays on Cultural Appropriation. (1998)From ritual to theatre : the human seriousness of play (1982)From Ritual to Theatre: The Human Seriousness of Play (1983)Applying critical realism in qualitative research: methodology meets method (2016)AI-Enhanced HTP Test Analysis and Emotion Recognition for Personalized Psychotherapy Interventions (2025)Mind in Society: The Development of Higher Psychological Processes (1978)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Social transformation in South Africa through the musical arts: a Batswana experience with specific reference to the Ikageng-Bill Cosby Cultural Group (2009)Ethnographic Research of the use of Music in Healing as a Cultural Phenomenon in Greater Sekhukhune District Municipality, Limpopo Province in South Africa (2021)
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Cited by

  • 1991Traditional Healing in Africa: Implications for Cross‐Cultural Counseling64 cited
  • 2000Honouring social work principles - exploring the connections between anti-racist social work and African-centred worldviews20 cited
  • 2013Rhythms of Culture: Djembe and African Memory in African-American Cultural Traditions14 cited
  • 2007Learning Aesthetic Values in African Musical Worlds6 cited
  • 2013TRADITIONAL DANCES AND BONGO FLEVA: A STUDY OF YOUTH PARTICIPATION IN NGOMA GROUPS IN TANZANIA4 cited
  • 1998Good vibrations? The curious cases of the didjeridu in spectacle and therapy in Australia4 cited
  • 2023African Wisdom Traditions and Healing Practices: Performing the Embodied, Contemplative, and Group-based Elements of African Cosmology, Orality, and Arts Modalities3 cited

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