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The Off-Tonic Return in Beethoven's Piano Concerto No. 4 in G Major, Op. 58, and Other Works
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The Off-Tonic Return in Beethoven's Piano Concerto No. 4 in G Major, Op. 58, and Other Works (2005)The Off-Tonic Return in Beethoven's Piano…Between Half and Perfect Cadences (2023)Between Half and Perfect Cade…Beethoven 1806 (2019)Beethoven 1806THE HALF CADENCE AND RELATED ANALYTIC FICTIONS (2015)THE HALF CADENCE AND RELATED …Surprise Without a Cause?. ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form (2013)Surprise Without a Cause?. ‘F…R hetorical C losure in the F irst M ovement of S chubert ' s Q uartet in C major , D. 46: A D ialogue with D eformation (2009)R hetorical C losure in the F…B rahms and the P rinciple of D estabilised B eginnings (2009)B rahms and the P rinciple of…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Style and music: theory, history, and ideology (1990)Phrase Rhythm in Tonal Music (1991)The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich's Seventh String Quartet (2009)Playing with Signs (1991)Classical Form (1998)Elements of Sonata Theory (2006)Let’s Talk Music: A Corpus-Based Account of Musical Motion (2014)Salome's Grotesque Climax and Its Implications (2014)Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony (2021)Emotion and Meaning in Music (1957)Classic Music: Expression, Form, and Style (1981)Women, Fire, and Dangerous Things (1987)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas (2019)The Mendelssohn of the Eighteenth Century: Tonal Growth, Functional Fluidity and Formal Complication in the First Movement of the D Major Quartet, Op. 44 No. 1 (2024)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Musicking: the meanings of performing and listening (1999)The Cambridge Companion to the Eroica Symphony (2020)Who Listens? (2025)Metric Manipulations In Haydn And Mozart (2009)
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  • 2015THE HALF CADENCE AND RELATED ANALYTIC FICTIONS47 cited
  • 2019Beethoven 180636 cited
  • 2009R hetorical C losure in the F irst M ovement of S chubert ' s Q uartet in C major , D. 46: A D ialogue with D eformation17 cited
  • 2009B rahms and the P rinciple of D estabilised B eginnings7 cited
  • 2013Surprise Without a Cause?. ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form3 cited
  • 2023Between Half and Perfect Cadences2 cited

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