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Ideas of Authorship
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Ideas of Authorship (1973)Ideas of AuthorshipMusique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960) (2015)Musique concrète, French New …Ad hoc archivists: mp3 blogs and the generation of provenance (2012)Ad hoc archivists: mp3 blogs …Screenwriting as creative labour : pedagogies, practices and livelihoods in the new cultural economy (2010)Screenwriting as creative lab…Mediated Music Makers: Constructing Author Images in Popular Music (2007)Mediated Music Makers: Constr…"Some Kind of a Man": Orson Welles as Touch of Evil's Masculine Auteur (2006)"Some Kind of a Man": Orson W…The message of the messenger : Tracey Moffatt and INXS write meanings on music video (1996)The message of the messenger …Style, Grammar, and the Movies (1975)Style, Grammar, and the MoviesDiscourse and Social Change. (1993)Life on the Screen: Identity in the Age of the Internet (1997)The Language of New Media (2002)‘He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost (2018)Escultores del sonido: prácticas musicales creativas como elemento de transformación social (2020)The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film (2022)Ethnography: Principles and Practice (1983)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Risk Society, Towards a New Modernity (1994)4 Screenwriters in Toronto: Centre, Periphery, and Exclusionary Networks in Canadian Screen Storytelling (2014)Originality and Authorship in the Development of the Screen Idea (2021)Reframing Vivien Leigh (2021)The Cultural Studies Reader (1993)‘Superboong! ... ‘: The ambivalence of comedy and differing histories of race (1996)Identity : community, culture, difference (2003)15. The Death of the Author (2017)The Perception of the Visual World. (1951)Steps to an Ecology of Mind (1973)Psychoanalysis and Feminism. (1975)Film Noir : Style and Content (1988)Anatomy of Criticism (1957)Anatomy of Criticism: Four Essays (1959)On Musical Mediation: Ontology, Technology and Creativity (2005)The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Male Subjectivity at the Margins (2017)Film sound: Theory and practice (1985)The sounds of commerce: marketing popular film music (1999)Beyond the soundtrack: representing music in cinema (2008)
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  • 2010Screenwriting as creative labour : pedagogies, practices and livelihoods in the new cultural economy21 cited
  • 2006"Some Kind of a Man": Orson Welles as Touch of Evil's Masculine Auteur13 cited
  • 2007Mediated Music Makers: Constructing Author Images in Popular Music12 cited
  • 1975Style, Grammar, and the Movies8 cited
  • 2012Ad hoc archivists: mp3 blogs and the generation of provenance6 cited
  • 2015Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960)6 cited
  • 1996The message of the messenger : Tracey Moffatt and INXS write meanings on music video6 cited

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