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A Long Strange Trip: The Continuing World of European Deadheads
16 references·0 citing·34 second hop
A Long Strange Trip: The Continuing World of European Deadheads (2013)A Long Strange Trip: The Continuing World…The Ashgate research companion to popular musicology (2010)The Ashgate research companio…Subculture (2010)SubculturePunk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Punk’s Not Dead: The Continui…The Popular Music Studies Reader (2005)The Popular Music Studies Rea…The Cultural Economy (2004)The Cultural EconomyFan Cultures (2003)Fan CulturesThe Adoring Audience (2002)The Adoring AudienceBeatlemania: Girls Just Want to Have Fun (2002)Beatlemania: Girls Just Want …'Strangers No More, We Sing': Filking and the Social Construction of the Science Fiction Fan Community (2002)'Strangers No More, We Sing':…Tramps like Us: Music and Meaning among Springsteen Fans (2001)Tramps like Us: Music and Mea…Home on the page: a virtual place of music community (2000)Home on the page: a virtual p…Tramps Like Us (1998)Tramps Like UsAudiences: A Sociological Theory of Performance and Imagination (1998)Audiences: A Sociological The…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Popular Music and Communication (1993)Popular Music and Communicati…The Theory of Social and Economic Organization. (1948)The Theory of Social and Econ…The Condition of Postmodernity (1991)The Resurgence of Growth in the Late 1990s: Is Information Technology the Story? (2000)The field of Cultural Production (2002)Creative Industries Mapping: Where have we come from and where are we going? (2008)‘Creative Cities’ and the Rise of the Dealer Class: A Critique of Richard Florida's Approach to Urban Theory (2010)The creative countryside: Policy and practice in the UK rural cultural economy (2010)On Record: Rock, Pop and the Written Word (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Hiding in the Light, on Images and Things (1992)What Is Sociological about Music? (2010)The post-subcultural turn: some reflections 10 years on (2011)Musical taste and patterns of symbolic exclusion in the United States 1993–2012: Generational dynamics of differentiation and continuity (2015)New Audiences, New Textualities (2003)When the Game Is Not Enough: Motivations and Practices Among Computer Game Modding Culture (2010)Things Fall Apart: The Dynamics of Brand Audience Dissipation (2014)“Heritage rock”: Rock music, representation and heritage discourse (2009)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)Introduction: Affective Fabrics of Digital Cultures (2012)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Behavioral Study of obedience. (1963)Social Capital: Its Origins and Applications in Modern Sociology (1998)Social Exchange Theory: An Interdisciplinary Review (2005)The Antecedents of Music Piracy Attitudes and Intentions (2005)Can Robots Manifest Personality?: An Empirical Test of Personality Recognition, Social Responses, and Social Presence in Human–Robot Interaction (2006)Celebrity fan involvement and destination perceptions (2008)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)Pride in contemporary sport consumption: a marketing perspective (2009)Crowdsourcing and online collaborative translations (2017)A Cognitive Profile of Individuals Who Tend to Worship Celebrities (2003)Admiration and adoration: Their different ways of showing and shaping who we are (2012)
this work references cited by second hop

References

  • 1948The Theory of Social and Economic Organization.11,300 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 2010Subculture1,268 cited
  • 2003Fan Cultures869 cited
  • 1998Audiences: A Sociological Theory of Performance and Imagination843 cited
  • 2002Beatlemania: Girls Just Want to Have Fun501 cited
  • 2002The Adoring Audience366 cited
  • 2004The Cultural Economy222 cited
  • 2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
  • 2005The Popular Music Studies Reader190 cited
  • 2001Tramps like Us: Music and Meaning among Springsteen Fans189 cited
  • 1998Tramps Like Us179 cited
  • 1993Popular Music and Communication92 cited
  • 2010The Ashgate research companion to popular musicology83 cited
  • 2000Home on the page: a virtual place of music community75 cited
  • 2002'Strangers No More, We Sing': Filking and the Social Construction of the Science Fiction Fan Community73 cited

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