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Invasive and non-invasive analyses for knowledge and conservation of Roman wall paintings of the Villa of the Papyri in Herculaneum
7 references·16 citing·44 second hop
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this work references cited by second hop

References

  • 2005The colour of ochres explained by their composition195 cited
  • 2008‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments178 cited
  • 2009The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging170 cited
  • 2009GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media147 cited
  • 2009DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY90 cited
  • 2007Gas chromatographic–mass spectrometric characterisation of plant gums in samples from painted works of art87 cited
  • 2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited

Cited by

  • 2016What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis55 cited
  • 2017Chemometrics approach to FT-IR hyperspectral imaging analysis of degradation products in artwork cross-section49 cited
  • 2016Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy)46 cited
  • 2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades

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42 cited
  • 2016Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques42 cited
  • 2019Multi-analytical non-destructive investigation of pictorial apparatuses of “Villa della Piscina” in Rome42 cited
  • 2023Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy40 cited
  • 2021Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy37 cited
  • 2021Research on the Organic Binders in Archaeological Wall Paintings36 cited
  • 2019The pigments of the frigidarium in the Sarno Baths, Pompeii: Identification, stratigraphy and weathering32 cited
  • 2022Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy)32 cited
  • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited
  • 2016Identification by Raman microspectroscopy of pigments in seated statues found in the Torreparedones Roman archaeological site (Baena, Spain)30 cited
  • 2023The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review29 cited
  • 2018Characterization of the wall paintings in La Casa de los Grifos of Roman city Complutum29 cited
  • 2015Material characterization of the Late Roman wall painting samples from Sinop Balatlar Church Complex in the black sea region of Turkey29 cited