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Paul's BoutiqueandFear of a Black Planet: Digital Sampling and Musical Style in Hip Hop
16 references·1 citing·38 second hop
Paul's BoutiqueandFear of a Black Planet: Digital Sampling and Musical Style in Hip Hop (2014)Paul's BoutiqueandFear of a Black Planet:…Rhymin' and Stealin' (2013)Rhymin' and Stealin'A Typology of Sampling in Hip-Hop (2013)A Typology of Sampling in Hip…Creative License: The Law and Culture of Digital Sampling (2011)Creative License: The Law and…Capturing Sound (2010)Capturing SoundTesting for Racial Profiling in Traffic Stops From Behind a Veil of Darkness (2006)Testing for Racial Profiling …Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…Five Percenter rap: God hop's music, message, and black Muslim mission (2005)Five Percenter rap: God hop's…Five Percenter Rap (2005)Five Percenter RapConfessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic1 (2005)Confessions of an Intellectua…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…Right to rock (2004)Right to rockRight to Rock (2004)Right to RockQuotation and cultural meaning in twentieth-century music (2004)Quotation and cultural meanin…Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…All made of tunes: Charles Ives and the uses of musical borrowing (1996)All made of tunes: Charles Iv…Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Rhythm, Rhyme, and Rhetoric i…A Love Song for All of Us?: Macklemore's “Same Love” and the Myth of Black Homophobia (2018)A Love Song for All of Us?: M…The Gallup Poll: Public Opinion, 1935-1971 (1973)NEGOTIATING ORDER IN PATROL WORK: AN ECOLOGICAL THEORY OF POLICE RESPONSE TO DEVIANCE* (1997)Racial Bias in Motor Vehicle Searches: Theory and Evidence (2001)Cumulative Disadvantage in the American Criminal Justice System (2019)A Few Bad Apples? Racial Bias in Policing (2020)Race Discrimination: An Economic Perspective (2020)The Black Atlantic: Modernity and Double Consciousness (1994)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Beyond geography's visible worlds: a cultural politics of music (1997)Popular Culture as Oppositional Culture: Rap as Resistance (1997)Aspects of the Music/Text Relationship in Rap (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)The Power of Black Music: Interpreting its History from Africa to the United States. (1997)Hip hop matters: politics, pop culture, and the struggle for the soul of a movement (2006)Lyrics and flow in rap music (2015)The Cambridge Companion to Hip-Hop (2015)The musical analysis of hip-hop (2015)Making Tracks: The Ontology of Rock Music (2006)Between silence and pain: loudness and the affective encounter (2015)Musical Rhythm in the Age of Digital Reproduction (2016)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)The Cambridge History of American Music (1998)“All That You Can't Leave Behind” (2008)DISLOCATING SOUNDS: The Deterritorialization of Indonesian Indie Pop (2009)Anthropologies of the United States (2010)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Music as a Technology of Surveillance (2018)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music) (2005)Music as Discourse (2008)Intertextuality, sampling, and copyright (2015)
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References

  • 2005Capturing sound: how technology has changed music830 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 2010Capturing Sound297 cited
  • 2006Testing for Racial Profiling in Traffic Stops From Behind a Veil of Darkness259 cited
  • 1995Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy245 cited
  • 2004Quotation and cultural meaning in twentieth-century music172 cited
  • 2013Rhymin' and Stealin'148 cited
  • 2004Right to Rock141 cited
  • 1996All made of tunes: Charles Ives and the uses of musical borrowing131 cited
  • 2011Creative License: The Law and Culture of Digital Sampling89 cited
  • 2005Five Percenter rap: God hop's music, message, and black Muslim mission82 cited
  • 2013A Typology of Sampling in Hip-Hop71 cited
  • 2005Five Percenter Rap61 cited
  • 2005Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic157 cited
  • 2004Right to rock54 cited

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Cited by

  • 2018A Love Song for All of Us?: Macklemore's “Same Love” and the Myth of Black Homophobia4 cited