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In Search of True Public Arts Support
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In Search of True Public Arts Support (2004)In Search of True Public Arts SupportAmerican Perspectives on Public Funding for Artists (2021)American Perspectives on Publ…Public opinion on government funding of the arts in the United States: demographic and political factors (2020)Public opinion on government …A vote at the opera? The political economy of public theaters and orchestras in the German states (2014)A vote at the opera? The poli…Do individuals who attend the arts support public funding of the arts? Evidence from England and the USA (2011)Do individuals who attend the…Who pays? Who benefits? Who decides? (2008)Who pays? Who benefits? Who d…Understanding State Government Appropriations for the Arts: 1976-1999 (2006)Understanding State Governmen…Chapter 36 Tax Incentives in Cultural Policy (2006)Chapter 36 Tax Incentives in …Why do People Give? (2005)Why do People Give?Support for Earmarked Public Spending on Culture: Evidence from a Referendum in Metropolitan Detroit (2005)Support for Earmarked Public …A Question of Morality: Artists' Values and Public Funding for the Arts (2005)A Question of Morality: Artis…Motivation Crowding Theory: A Survey of Empirical Evidence (2000)Motivation Crowding Theory (2001)The Nonprofit sector: a research handbook (2007)Analysis of state aid policy to stimulate innovation and internationalization in Lithuanian animation industry (2017)Financing Sustainability in the Arts Sector: The Case of the Art Bonus Public Crowdfunding Campaign in Italy (2022)The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe (2023)Ecological Correlations and the Behavior of Individuals (1950)Public Provision of Private Goods (1996)Public Goods and Ethnic Divisions (1997)Blessing or Curse? Appreciation, Amenities and Resistance around the Berlin "Mediaspree" ∗ (2010)Municipal elections and cultural expenditure (2012)Understanding Attitudes and Predicting Social Behavior (1980)Handbook of Theory and Research for the Sociology of Education. (1987)Nothing but the cuckoo clock? Determinants of public funding of culture in Switzerland, 1977–2010 (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)The Effect of Performance Quality and Customer Education on Attitudinal Loyalty: A Cross-Country Study of Opera Festival Attendees (2019)#WeAreViable, aren’t we? Music careers, state support, and the political feasibility of a Basic Income for the Arts (2025)Contingent Valuation: Is Some Number Better than No Number? (1994)Does Price Matter in Charitable Giving? Evidence from a Large-Scale Natural Field Experiment (2007)Handbook of the Economics of Art and Culture (2013)Cultural Districts and Economic Development in American Cities (2015)Changing Movie! Film Commissions as Drivers for Creative Film Industries: the Apulia Case (2016)Matchfunding goes digital: The benefits of matching policymaking with the crowd’s wisdom (2022)The Interpretation of Cultures (1974)Introduction to the Economics of Religion (1998)Determinants of charitable donation intentions: a structural equation model (2007)Generosity and Philanthropy: A Literature Review (2007)Brother, can you spare a dime? Peer pressure in charitable solicitation (2010)The Interpretation of Cultures (2017)Issue Evolution (1989)The Rise of the Creative Class (2002)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Does Morality Policy Exist? Testing a Basic Assumption (2008)Are Debates about “Morality Policy” Really about Morality? Framing Opposition to Gay and Lesbian Rights (2011)Measuring Citizen and Government Ideology in the American States, 1960-93 (1998)Culture War? The Myth of a Polarized America (2004)The Origins and Consequences of Affective Polarization in the United States (2018)Attitudes towards the funding of cultural policy in Spain: an examination of the ideological and political factors (2022)The Land of (Almost) No Central Government Arts Spending? Cultural Policy, Protestant Denominations, and the Cultural Policy Singularity of Unites States of America (2023)The Strength of Weak Ties (1973)Some Tests of Specification for Panel Data: Monte Carlo Evidence and an Application to Employment Equations (1991)Econometric Analysis of Cross Section and Panel Data (2001)Revenue decentralization, central oversight and the political budget cycle: Evidence from Israel (2015)The Demand and Supply for Theatre: A Long-Run Analysis over the Italian Regions (2024)Cultural Policies and the Welfare State: The Cases of Sweden, Germany, and the United States (1996)ARTISTIC LABOR MARKETS AND CAREERS (1999)The Association of Creativity and Psychopathology: Its Cultural-Historical Origins (2001)Funding the Artistic Future: Diversifying Support for Sustainable Artistic Impact Through Program Evaluation (2024)
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  • 2005Why do People Give?281 cited
  • 2005A Question of Morality: Artists' Values and Public Funding for the Arts32 cited
  • 2005Support for Earmarked Public Spending on Culture: Evidence from a Referendum in Metropolitan Detroit29 cited
  • 2008Who pays? Who benefits? Who decides?23 cited
  • 2020Public opinion on government funding of the arts in the United States: demographic and political factors23 cited
  • 2006Chapter 36 Tax Incentives in Cultural Policy19 cited
  • 2014A vote at the opera? The political economy of public theaters and orchestras in the German states18 cited
  • 2011Do individuals who attend the arts support public funding of the arts? Evidence from England and the USA12 cited
  • 2006Understanding State Government Appropriations for the Arts: 1976-19996 cited
  • 2021American Perspectives on Public Funding for Artists5 cited

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