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Loaded Canons: Contemporary Film Canons, Film Studies, and Film Discourse
16 references·0 citing·33 second hop
Loaded Canons: Contemporary Film Canons, Film Studies, and Film Discourse (2011)Loaded Canons: Contemporary Film Canons, …Critical Theory and the Literary Canon (2018)Critical Theory and the Liter…Inventing Film Studies (2008)Inventing Film StudiesEssential Cinema (2008)Essential CinemaScenes of Instruction (2007)Scenes of InstructionThe Economy of Prestige (2005)The Economy of PrestigeMovie Mutations (2003)Movie MutationsThe “Three Ages” of Cinema Studies and the Age to Come (2000)The “Three Ages” of Cinema St…Artists in the Audience (1999)Artists in the AudiencePost-Theory. Reconstructing Film Studies (1997)Post-Theory. Reconstructing F…Melodrama and meaning: history, culture, and the films of Douglas Sirk (1994)Melodrama and meaning: histor…Architectures of Excess: Cultural Life in the Information Age (1994)Architectures of Excess: Cult…The Columbia history of the American Novel (1992)The Columbia history of the A…Modern American Drama: The Female Canon (1992)Modern American Drama: The Fe…Canons and Contexts (1991)Canons and ContextsThe Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students (1988)The Closing of the American M…The Politics of Film Canons (1985)The Politics of Film CanonsThe American Cinema: Directors and Directions, 1929-1968 (1968)Contingencies of Value (1983)The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Critic as Consumer: Film Study in the University, "Vertigo", and the Film Canon (1986)Reputation Building and the Film Art World: The Case of Alfred Hitchcock (1989)Rethinking the canon: the role of film festivals in shaping film history (2020)Intensities of feeling: towards a spatial politics of affect (2004)Understanding Media Enjoyment: The Role of Transportation Into Narrative Worlds (2004)The Routledge Handbook of Multimodal Analysis (2010)Chapter 1: Multicultural Education: Historical Development, Dimensions, and Practice (1993)Chapter 1: Multicultural Education: Historical Development, Dimensions, and Practice (1993)What Is Sentimentality? (1999)The Three Faces of Elitism: Postmodernism, Political Correctness, and Popular Culture (1995)“The Souls of White Folks” (2001)Literacies (2016)The Four Cultures: Media Studies at the Crossroads (2016)Advancing children’s news media literacy: learning from the practices and experiences of young Australians (2018)Media Literacy Foundations (2019)'A Real Shocker': Authenticity, genre and the struggle for distinction (2000)"My Kind of Campfire": The Eurovision Song Contest and Israeli Gay Men (2004)The film business in the United States and Britain during the 1930s1 (2005)The Increasing Dominance of Teams in Production of Knowledge (2007)The Impact of CEO Status Diffusion on the Economic Outcomes of Other Senior Managers (2008)Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize (2008)A HISTORY LONG OVERDUE: (2011)The Cinema and the (Common) Wealth of Nations (2011)‘A machine for recreating life’: an introduction to reproduction on film (2017)Nostalgia and Style in Retro America: Moods, Modes, and Media Recycling (2000)Joe's rhetoric: Finding authenticity at starbucks (2002)Emerging Motivations for Tagging: Expression, Performance, and Activism (2007)Magic Realism as Postcolonial Discourse (1995)On the Marvelous Real in America (1949) (1995)The Baroque and the Marvelous Real (1975) (1995)
this work references cited by second hop

References

  • 2005The Economy of Prestige778 cited
  • 1997Post-Theory. Reconstructing Film Studies516 cited
  • 1992The Columbia history of the American Novel481 cited
  • 1991Canons and Contexts332 cited
  • 1994Melodrama and meaning: history, culture, and the films of Douglas Sirk226 cited
  • 1985The Politics of Film Canons140 cited
  • 1988The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students129 cited
  • 2007Scenes of Instruction107 cited
  • 1994Architectures of Excess: Cultural Life in the Information Age94 cited
  • 2008Inventing Film Studies73 cited
  • 2000The “Three Ages” of Cinema Studies and the Age to Come61 cited
  • 1999Artists in the Audience57 cited
  • 2018Critical Theory and the Literary Canon55 cited
  • 2003Movie Mutations35 cited
  • 2008Essential Cinema12 cited
  • 1992Modern American Drama: The Female Canon8 cited

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