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The man whose web expanded: Network dynamics in Manchester's post/punk music scene 1976–1980
7 references·16 citing·46 second hop
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this work references cited by second hop

References

  • 1973The Strength of Weak Ties40,446 cited
  • 1990Foundations of social theory16,594 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 1940On Social Structure341 cited
  • 1998Between Conversation and Situation: Public Switching Dynamics Across Network-Domains327 cited
  • 2004Consolidating the music scenes perspective182 cited
  • 2002Local scenes and dangerous crossroads: punk and theories of cultural hybridity101 cited

Cited by

  • 2010Cultural Holes: Beyond Relationality in Social Networks and Culture532 cited
  • 2011Worlds, Fields and Networks: Becker, Bourdieu and the Structures of Social Relations302 cited
  • 2011Gatekeeper search and selection strategies: Relational and network governance in a cultural market133 cited
  • 2018Unfolding the Twitter scene of the 2017 UEFA Champions League Final: social media networks and power dynamics77 cited
  • 2014Social Spaces of Music: Introduction70 cited
  • 2014Social Networks and Music Worlds67 cited
  • 2017North from here: the collaboration networks of Finnish metal music genre superstars57 cited
  • 2013Genre, Boundary Drawing and the Classificatory Imagination

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

45 cited
  • 2012Include ‘em all?: Culture, politics and a local hardcore/punk scene in the Czech Republic36 cited
  • 2015A community ecology of genres28 cited
  • 2019Organizations, institutions and networks in local scenes: The growth of San Francisco Bay Area punk rock26 cited
  • 2012Enacting Music Scenes: Mobility, Locality and Cultural Production24 cited
  • 2019Retrospective Consecration Beyond the Mainstream: The Creation of a Progressive Rock Canon20 cited
  • 2017A ‘Different Class’? Homophily and Heterophily in the Social Class Networks of Britpop16 cited
  • 2013How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City12 cited
  • 2016Social Structure and Cultural Production: An Empirical Analysis of Festivals' Networks12 cited