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From generalities to specifics in San rock art
9 references·1 citing·39 second hop
From generalities to specifics in San rock art (2008)From generalities to specifics in San roc…Species and supernatural potency : an unusual rock painting from the Motheo District, Free State province, South Africa : research letter (2006)Species and supernatural pote…San spirituality: roots, expression, and social consequences (2005)San spirituality: roots, expr…Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)Southern African San Rock Pai…'Big Pictures': Insights into Southern African San Rock Paintings of Ostriches (2001)'Big Pictures': Insights into…Threads of Light: Re-Examining a Motif in Southern African San Rock Art (2000)Threads of Light: Re-Examinin…Nyae Nyae !Kung: beliefs and rites (2000)Nyae Nyae !Kung: beliefs and …Through the Veil: San Rock Paintings and the Rock Face (1990)Through the Veil: San Rock Pa…A dream of eland: An unexplored component of San shamanism and rock art (1987)A dream of eland: An unexplor…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…PAINTING POSTURES: BODY SYMBOLISM IN SAN ROCK ART OF THE NORTH EASTERN CAPE, SOUTH AFRICA (2013)PAINTING POSTURES: BODY SYMBO…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Miscast: negotiating the presence of the Bushmen (1998)The Evolution of Theory, Method and Technique in Southern African Rock Art Research (2006)Hunter-Gatherers and Farmers: Some Implications of 1,800 Years of Interaction in the Maloti-Drakensberg Region of Southern Africa (2009)Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa (2013)Art And Agency (1998)Art and Agency: An Anthropological Theory (1999)Ritual and Religion in the Making of Humanity (1999)Milestones in the development of symbolic behaviour: a case study from Wonderwerk Cave, South Africa (2009)Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa (2010)‘Rain snakes’ from the Senqu River: new light on Qing's commentary on San rock art from Sehonghong, Lesotho (2013)Shamanism: Archaic Techniques of Ecstasy (1951)Shamanism: Archaic Techniques of Ecstasy (1964)Revelations of religious reality: The individual in San rock art (1988)Ethnographic Evidence Relating to 'Trance' and 'Shamans' among Northern and Southern Bushmen (1992)Gender Trouble: Feminism and the Subversion of Identity (1991)Embodiment and Experience: The Existential Ground of Culture and Self (1996)The Body and Social Theory (2003)The behavior guide to African mammals: including hoofed mammals, carnivores, primates (1991)Tusk and transformation in southern African San rock art: an iconographic analysis of WAR2 (2018)Fragments of the hunt (2020)Therianthropes as human-animal relations: contextualising rock art in anthropological perspective (2020)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples (1993)The Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa: An Introduction to Problems of Southern African Rock-Art Regions (2002)Allusions to Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa (2015)Languages of Art (1968)The Transfiguration of the Commonplace, a Philosophy of Art (1981)Reading art, writing history: Rock art and social change in Southern Africa (1994)Seeing is deceiving: Rock art and the non-visual (2001)Memory and Material Culture? (2007)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)A Segment is not a Monolith: evidence from the Howiesons Poort of Sibudu, South Africa (2008)Early Paleoindian big-game hunting in North America: Provisioning or Politics? (2010)Late Pleistocene Techno-traditions in Southern Africa: A Review of the Still Bay and Howiesons Poort, c. 75–59 ka (2012)Hunting, healing, and hxaro exchange (2002)The gripping nature of ochre: The association of ochre with Howiesons Poort adhesives and Later Stone Age mastics from South Africa (2007)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)
this work references cited by second hop

References

  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1990Through the Veil: San Rock Paintings and the Rock Face173 cited
  • 2000Nyae Nyae !Kung: beliefs and rites140 cited
  • 2005San spirituality: roots, expression, and social consequences132 cited
  • 1987A dream of eland: An unexplored component of San shamanism and rock art74 cited
  • 2004Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images67 cited
  • 2000Threads of Light: Re-Examining a Motif in Southern African San Rock Art49 cited
  • 2001'Big Pictures': Insights into Southern African San Rock Paintings of Ostriches38 cited
  • 2006Species and supernatural potency : an unusual rock painting from the Motheo District, Free State province, South Africa : research letter6 cited

Cited by

  • 2013PAINTING POSTURES: BODY SYMBOLISM IN SAN ROCK ART OF THE NORTH EASTERN CAPE, SOUTH AFRICA1 cited

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