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Cited by

• 1993Johannes de Grocheio on secular music: a corrected text and a new translation113 cited
• 1994Dufay's "Nuper rosarum flores", King Solomon's Temple, and the Veneration of the Virgin103 cited
• 2018Polyphony in medieval Paris the art of composing with plainchant68 cited
• 1998"Das Musikalische Horen" in the Middle Ages and Renaissance: Perspectives from Pre-War Germany66 cited
• 1997Du Fay the poet? Problems in the texts of his motets58 cited
• 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet57 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2002Music theory and mathematics51 cited
• 2023Fauvel and Marigny: Which Came First?48 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2022Authorship and Identity in Late Thirteenth-Century Motets46 cited
• 2013CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT45 cited
• 2023The Fourteenth-Century Italian Motet45 cited
• 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
• 2023