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The Performative Icon
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  • 2014Archaeology and the Senses: Human Experience, Memory, and Affect258 cited
  • 2016On Not Being a Sign: Gold’s Semiotic Claims49 cited
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  • 2022In defense of materiality: Attending to the sensori-social life of things35 cited
  • 2014Performing the Sacred in Byzantium: Image, breath and sound19 cited
  • 2012Real Living Painting: Quasi-Objects and Dividuation in the Byzantine World14 cited
  • 2015Performing the renaissance body and mind: somaesthetic style and devotional practice at the Sacro Monte di Varallo9 cited
  • 2020Popular Religion and Material Responses to Pandemic: The Christian Cult of theEpitaphiosduring the COVID-19 Crisis in Greece and Cyprus9 cited
  • 2024The invisible divine in the history of art. Is Erwin Panofsky (1892–1968) still relevant for decoding Christian iconography?9 cited
  • 2013Visual Studies in Byzantium: A Pictorial Turn avant la lettre5 cited
  • 2015Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans5 cited
  • 2025On the Design of Technosacred Spaces4 cited
  • 2011Exploring Byzantine Cartographies: Ancient Science, Christian Cosmology, and Geopolitics in Byzantine Imperial-Era Mapping3 cited
  • 2012

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La performance catedralicia como modelo de prestigio
1 cited
  • 1969Les sens assoupis : La vie sociale et sensorielle des artefacts dans l’espace muséal1 cited