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The social accomplishment of music in a symphony orchestra: A phenomenological analysis
13 references·7 citing·33 second hop
The social accomplishment of music in a symphony orchestra: A phenomenological analysis (1981)The social accomplishment of music in a s…Introduction to the Sociology of Music. (1977)Introduction to the Sociology…The production of culture (1976)The production of culturePhilosophy of Modern Music (1976)Philosophy of Modern MusicCycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Philosophy of Modern Music (1974)Philosophy of Modern MusicCollected Papers I. The Problem of Social Reality (1974)Collected Papers I. The Probl…Experience and judgment: Investigations in a genealogy of logic (1973)Experience and judgment: Inve…The Phenomenology of the Social World. (1968)The Phenomenology of the Soci…The phenomenology of the social world (1967)The phenomenology of the soci…CARTESIAN MEDITATIONS: AN INTRODUCTION TO PHENOMENOLOGY (1961)CARTESIAN MEDITATIONS: AN INT…The Rational and Social Foundations of Music (1960)The Rational and Social Found…The Rational and Social Foundations of Music (1959)The Rational and Social Found…The Professional Dance Musician and His Audience (1951)The Professional Dance Musici…The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes (2020)The Power of Gaze in Music. L…Paradigmas y enfoques teóricos en la sociología de la música (2014)Paradigmas y enfoques teórico…Correction sequences and semiotic resources in ensemble music workshops: the case of Conduction® (2014)Correction sequences and semi…Group creativity: musical performance and collaboration (2006)Group creativity: musical per…Organizing creation: The role of musical text (2001)Organizing creation: The role…The symphony: Organizational discourse and the symbolic tensions between artistic and business ideologies (2000)The symphony: Organizational …Synchrony lost, synchrony regained: The achievement of musical co-ordination (1996)Synchrony lost, synchrony reg…Flow: the psychology of optimal experience (1990)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Educating for innovation (2006)Combining creativity and control: Understanding individual motivation in large-scale collaborative creativity (2011)The neurochemistry and social flow of singing: bonding and oxytocin (2015)The Structure of Scientific Revolutions (1963)Industrial Market Structure and Economic Performance. (1971)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Genre as social action (1984)Ethnicity without groups (2002)Talk Is Cheap (2014)Talking science: language, learning, and values (1991)What Is Agency? (1998)Theory Construction in Qualitative Research (2012)Lived experiences of immigrant nurses in New South Wales, Australia: searching for meaning (2002)The Possibilities of Phenomenology for Organizational Research (2014)Perceiving mental states (2015)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)Demonstrating Rigor Using Thematic Analysis: A Hybrid Approach of Inductive and Deductive Coding and Theme Development (2006)Qualitative Quality: Eight “Big-Tent” Criteria for Excellent Qualitative Research (2010)Seeking Qualitative Rigor in Inductive Research (2012)Club cultures: music, media and subcultural capital (1996)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Producing Artistic Value: The Case of Rock Music (1994)When Cymbals Become Symbols: Conflict Over Organizational Identity Within a Symphony Orchestra (2000)Nexus Work: Brokerage on Creative Projects (2009)
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References

  • 1967The phenomenology of the social world3,650 cited
  • 1968The Phenomenology of the Social World.3,570 cited
  • 1974Collected Papers I. The Problem of Social Reality1,509 cited
  • 1961CARTESIAN MEDITATIONS: AN INTRODUCTION TO PHENOMENOLOGY1,394 cited
  • 1977Introduction to the Sociology of Music.665 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music597 cited
  • 1973Experience and judgment: Investigations in a genealogy of logic383 cited
  • 1976Philosophy of Modern Music318 cited
  • 1951The Professional Dance Musician and His Audience289 cited
  • 1974Philosophy of Modern Music271 cited
  • 1976The production of culture235 cited
  • 1960The Rational and Social Foundations of Music157 cited
  • 1959The Rational and Social Foundations of Music72 cited

Cited by

  • 2006Group creativity: musical performance and collaboration377 cited
  • 1996Synchrony lost, synchrony regained: The achievement of musical co-ordination67 cited
  • 2000The symphony: Organizational discourse and the symbolic tensions between artistic and business ideologies

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36 cited
  • 2014Correction sequences and semiotic resources in ensemble music workshops: the case of Conduction®30 cited
  • 2020The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes9 cited
  • 2014Paradigmas y enfoques teóricos en la sociología de la música9 cited
  • 2001Organizing creation: The role of musical text5 cited