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The body, dance and cultural theory
0 references·16 citing·52 second hop
The body, dance and cultural theory (2004)The body, dance and cultural theoryCorpo-Realities: Keepin’ It Real in “Music and Embodiment” Scholarship (2020)Corpo-Realities: Keepin’ It R…Beyond Binarism: Exploring a Model of Living Cultural Heritage for Dance (2016)Beyond Binarism: Exploring a …Postfeminist possibilities: unpacking the paradoxical performances of heterosexualized femininity in club spaces (2013)Postfeminist possibilities: u…Music, Style, and Aging: Growing Old Disgracefully? 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  • 2006Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York218 cited
  • 2006‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers143 cited
  • 2009Perceiving subjectivity in bodily movement: The case of dancers117 cited
  • 2004Epiphanies of embodiment: injury, identity and the balletic body112 cited
  • 2009Transatlantic Traffic in Expressive Movement: From Delsarte and Dalcroze to Margaret H'Doubler and Rudolf Laban75 cited
  • 2008Performative Social Science: A Consideration of Skills, Purpose and Context54 cited
  • 2013Music, Style, and Aging: Growing Old Disgracefully?49 cited
  • 2007Complete Engagement:Embodied Response in Art Museum Education48 cited
  • 2016Beyond Binarism: Exploring a Model of Living Cultural Heritage for Dance45 cited
  • 2010On emotions and salsa: some thoughts on dancing to rethink consumers41 cited
  • 2013Postfeminist possibilities: unpacking the paradoxical performances of heterosexualized femininity in club spaces35 cited
  • 2020Corpo-Realities: Keepin’ It Real in “Music and Embodiment” Scholarship27 cited
  • 2011Dancing bodies, spaces/places and the senses: A cross-cultural investigation27 cited
  • 2005

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When the Landscape becomes Flesh: An Investigation into Body Boundaries with Special Reference to Tiwi Dance and Western Classical Ballet
27 cited
  • 2012So You Think You Can Dance Does Dance Studies26 cited
  • 2005A delicate dance: autoethnography, curriculum, and the semblance of intimacy26 cited