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Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century
11 references·16 citing·42 second hop
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this work references cited by second hop

References

  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
  • 2005On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database)208 cited
  • 2005In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy104 cited
  • 2004X-rays in art and archaeology: An overview103 cited
  • 2004Micro‐Raman spectroscopy for the study of corrosion products on copper alloys: setting up of a reference database and studying works of art94 cited
  • 2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited
  • 2004Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy69 cited
  • 2004Anglo-Saxon Manuscript Pigments69 cited
  • 2005The Gutenberg Bibles: Analysis of the Illuminations and Inks Using Raman Spectroscopy66 cited
  • 2004Non-destructive XRF analysis of paintings66 cited
  • 1999Minium; FT-Raman non-destructive analysis applied to an historical controversy65 cited

Cited by

  • 2009In situ investigations of vault paintings in the Antwerp cathedral55 cited
  • 2016Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy)

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46 cited
  • 2007Vibrational spectroscopy at the service of industrial archaeology: Nineteenth-century wallpaper46 cited
  • 2008Multianalytical approach to the analysis of English polychromed alabaster sculptures: μRaman, μEDXRF, and FTIR spectroscopies41 cited
  • 2018The Bone Black Pigment Identification by Noninvasive, In Situ Infrared Reflection Spectroscopy39 cited
  • 2014Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques36 cited
  • 2011Thermodynamic and Spectroscopic Speciation to Explain the Blackening Process of Hematite Formed by Atmospheric SO2 Impact: The Case of Marcus Lucretius House (Pompeii)35 cited
  • 2017THz Spectroscopic Identification of Red Mineral Pigments in Ancient Chinese Artworks33 cited
  • 2023Identification, transformations and mobility of hazardous arsenic-based pigments on 19th century bookbindings in accessible library collections26 cited
  • 2011Feasibility study of the application of micro-Raman imaging as complement to micro-XRF imaging26 cited
  • 2010Direct analysis of the central panel of the so‐called Wyts triptych after Jan van Eyck23 cited
  • 2015A multi-analytical approach to monitor three outdoor contemporary artworks at the Gori Collection (Fattoria di Celle, Santomato, Pistoia, Italy)21 cited
  • 2008Study of the 19th century porcelain cards with direct Raman analysis20 cited
  • 2011Terracotta polychrome sculptures examined before and after their conservation work: contributions from non-invasive in situ analytical techniques17 cited
  • 2009Study of a XVIII century hand-painted Chinese wallpaper by multianalytical non-destructive techniques17 cited
  • 2013Multispectroscopic Characterization of Oil on Copper Painting14 cited