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Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas
16 references·3 citing·30 second hop
Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas (2000)Scriabin's Symbolist Plot Archetype in th…Scriabin, a Biography (2011)Scriabin, a BiographyMusic theory in the age of Romanticism (2005)Music theory in the age of Ro…Music Theory in Concept and Practice (1998)Music Theory in Concept and P…Gender and the Musical Canon (1994)Gender and the Musical CanonFeminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Serial Composition and Atonality (1991)Serial Composition and Atonal…The Music of Alexander Scriabin (1988)The Music of Alexander Scriab…New Approaches to the Linear Analysis of Music (1988)New Approaches to the Linear …Scriabin's Self-Analyses (1984)Scriabin's Self-AnalysesOnce More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Once More "Between Absolute a…Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky (1980)Myth and Music. A Semiotic Ap…Words and Music. (1976)Words and Music.The New Scriabin: Enigma and Answers. (1973)The New Scriabin: Enigma and …A Great Russian Tone-Poet: Scriabin (1970)A Great Russian Tone-Poet: Sc…Serial Composition and Atonality (1962)Serial Composition and Atonal…Characterising musical gestures (2012)Characterising musical gestur…Wild men and mystics: Rethinking Roy Agnew's early Sydney works (2008)Wild men and mystics: Rethink…Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications. (2008)Alexander Scriabin (1871-1915…Metaphor and music (2008)Defining the Term 'Absolute Music' Historically (2009)Music, Culture and Social Reform in the Age of Wagner (2010)The Concept of Musical Grammar (1983)Semiotics as a Method for the Study of Popular Music (1991)Understanding the leitmotif: from Wagner to Hollywood film music (2016)A Theory of Set-Complexes for Music (1964)A Revisionist History of Twelve-Tone Serialism in American Music (2008)Formal Structures in Post-Tonal Music (2015)Female Pianists and Their Male Critics in Nineteenth-Century Paris (1997)After Adorno : rethinking music sociology (2003)Sounds of Power: An Overview of Musical Instruments and Gender (2008)Music theory and mathematics (2002)The Music of Louis Andriessen (2007)Spontaneous, modality-general abstraction of a ratio scale (2017)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Virtuosity and the Musical Work (2003)The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid (1988)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)Half-Diminished Functions and Transformations in Late Romantic Music (2001)Handbook of Emotions (1993)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)Interval Cycles as Compositional Resources in the Music of Charles Ives (1990)Extraordinary Measures (2011)Applications of DFT to the Theory of Twentieth-Century Harmony (2015)
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References

  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1994Gender and the Musical Canon225 cited
  • 2005Music theory in the age of Romanticism211 cited
  • 1984Once More "Between Absolute and Program Music": Schumann's Second Symphony200 cited
  • 1962Serial Composition and Atonality80 cited
  • 1980Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky66 cited
  • 1998Music Theory in Concept and Practice60 cited
  • 1991Serial Composition and Atonality47 cited
  • 1988The Music of Alexander Scriabin40 cited
  • 1984Scriabin's Self-Analyses35 cited
  • 1976Words and Music.35 cited
  • 1988New Approaches to the Linear Analysis of Music31 cited
  • 2011Scriabin, a Biography25 cited
  • 1973The New Scriabin: Enigma and Answers.21 cited
  • 1970A Great Russian Tone-Poet: Scriabin20 cited

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2012
Characterising musical gestures
11 cited
  • 2008Wild men and mystics: Rethinking Roy Agnew's early Sydney works3 cited
  • 2008Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.3 cited