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Cited by

• 2010AMERICAN STIOB: Or, What Late-Socialist Aesthetics of Parody Reveal about Contemporary Political Culture in the West250 cited
• 2003“There’s No Place Like Home”: Soviet Tourism in Late Stalinism78 cited
• 1988Ideology and Atheism in the Soviet Union77 cited
• 2018Historical framing of the Ukraine Crisis through the Great Patriotic War: Performativity, cultural consciousness and shared remembering62 cited
• 2003National Identity, Cultural Authority, and the Post-Soviet Blockbuster: Nikita Mikhalkov and Aleksei Balabanov55 cited
• 2011"Abortion Will Deprive You of Happiness!": Soviet Reproductive Politics in the Post-Stalin Era42 cited
• 2018A History of the Bildungsroman39 cited
• 2013Literary Praxis Beyond the Melodramas of Commitment: Edward Upward, Soviet Aesthetics, and Leftist Self-Fashioning37 cited
• 1997Making History Speak31 cited
• 1983“Ritual” in Recent Criticism: The Elusive Sense of Community29 cited
• 2018The Postcolonial Bildungsroman26 cited
• 2010Cinepaternity: fathers and sons in Soviet and post-Soviet film21 cited
• 2017Working-Class Literature(s): Historical and International Perspectives19 cited
• 20178. Ellis H. Minns and Nikodim Kondakov’s The Russian Icon (1927)