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Limit Play: Fan Authorship between Source Text, Intertext, and Context
9 references·16 citing·33 second hop
Limit Play: Fan Authorship between Source Text, Intertext, and Context (2009)Limit Play: Fan Authorship between Source…Fandom: identities and communities in a mediated world (2008)Fandom: identities and commun…Fan Fiction and Fan Communities in the Age of the Internet (2008)Fan Fiction and Fan Communiti…Control and Freedom: Power and Paranoia in the Age of Fiber Optics (2007)Control and Freedom: Power an…Fans: The Mirror of Consumption (2005)Fans: The Mirror of Consumpti…Protocol: How Control Exists after Decentralization (2004)Protocol: How Control Exists …Protocol (2004)ProtocolTextual poachers : television fans & participatory culture (1992)Textual poachers : television…Enterprising women: television fandom and the creation of popular myth (1992)Enterprising women: televisio…Is there a Text in this Class? (1981)Is there a Text in this Class?From Play to Political Action: Prosumerism on Fanvideo Meme Production (2020)From Play to Political Action…The Footy Girls of Tumblr: How Women Found Their Niche in the Online Football Fandom (2019)The Footy Girls of Tumblr: Ho…Fans Make Art: Authoring and Creativity in the Production of Fanvideos (2019)Fans Make Art: Authoring and …Adaptation in the Age of Media Convergence (2019)Adaptation in the Age of Medi…Reading real person fiction as digital fiction: An argument for new perspectives (2017)Reading real person fiction a…Fan fiction as world-building: transformative reception in crossover writing (2016)Fan fiction as world-building…Fan fiction as a vehicle for meaning making: Eudaimonic appreciation, hedonic enjoyment, and other perspectives on fan engagement with television. (2016)Fan fiction as a vehicle for …Emotional landscapes of reading: fan fiction in the context of contemporary reading practices (2016)Emotional landscapes of readi…“They All Lived Happily Ever After. Obviously.”: Realism and Utopia in Game of Thrones-Based Alternate Universe Fairy Tale Fan Fiction (2016)“They All Lived Happily Ever …Fanfiction as imaginary play: What fan-written stories can tell us about the cognitive science of fiction (2015)Fanfiction as imaginary play:…Beyond traditional publishing models (2015)Beyond traditional publishing…Mature Poets Steal: Children’s Literature and the Unpublishability of Fanfiction (2014)Mature Poets Steal: Children’…Creative Crowds. Perspektiven der Fanforschung im deutschsprachigen Raum (2014)Creative Crowds. 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this work references cited by second hop

References

  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 1981Is there a Text in this Class?1,066 cited
  • 2004Protocol: How Control Exists after Decentralization950 cited
  • 2004Protocol804 cited
  • 2007Control and Freedom: Power and Paranoia in the Age of Fiber Optics666 cited
  • 1992Enterprising women: television fandom and the creation of popular myth659 cited
  • 2005Fans: The Mirror of Consumption592 cited
  • 2008Fandom: identities and communities in a mediated world544 cited
  • 2008Fan Fiction and Fan Communities in the Age of the Internet334 cited

Cited by

  • 2014Creative Crowds. Perspektiven der Fanforschung im deutschsprachigen Raum114 cited
  • 2016“They All Lived Happily Ever After. Obviously.”: Realism and Utopia in Game of Thrones-Based Alternate Universe Fairy Tale Fan Fiction109 cited
  • 2015Fanfiction as imaginary play: What fan-written stories can tell us about the cognitive science of fiction59 cited
  • 2015Beyond traditional publishing models51 cited
  • 2014Mature Poets Steal: Children’s Literature and the Unpublishability of Fanfiction40 cited
  • 2019The Footy Girls of Tumblr: How Women Found Their Niche in the Online Football Fandom

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35 cited
  • 2016Fan fiction as world-building: transformative reception in crossover writing32 cited
  • 2016Emotional landscapes of reading: fan fiction in the context of contemporary reading practices28 cited
  • 2013Exploring Message Meaning: A Qualitative Media Literacy Study of College Freshmen23 cited
  • 2013Serial Narrative, Intertextuality, and the Role of Audiences in the Creation of a Franchise: An Analysis of theIndiana JonesSaga from a Cross-Media Perspective21 cited
  • 2017Reading real person fiction as digital fiction: An argument for new perspectives21 cited
  • 2019Adaptation in the Age of Media Convergence17 cited
  • 2011The Writing and Reading of Fan Fiction and Transformation Theory17 cited
  • 2016Fan fiction as a vehicle for meaning making: Eudaimonic appreciation, hedonic enjoyment, and other perspectives on fan engagement with television.15 cited
  • 2019Fans Make Art: Authoring and Creativity in the Production of Fanvideos12 cited
  • 2020From Play to Political Action: Prosumerism on Fanvideo Meme Production12 cited