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The queen as king: Refashioning Semiramide forSeicentoVenice
11 references·7 citing·32 second hop
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this work references cited by second hop

References

  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety1,816 cited
  • 1990Renaissance Feminism302 cited
  • 1982The New Grove Dictionary of Music and Musicians200 cited
  • 1984Production, consumption and political function of seventeenth-century opera155 cited
  • 1992Renaissance Feminism: Literary Texts and Political Models.122 cited
  • 1965Concerning Famous Women86 cited
  • 1990Opera in Seventeenth-Century Venice84 cited
  • 1994The Song of the Soul: Understanding Poppea66 cited
  • 1991Musica e storia tra Medio Evo e Eta moderna33 cited
  • 1978Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice32 cited
  • 1971Baroque and Rococo pictorial imagery : the 1758-60 Hertel edition of Ripa's 'Iconologia' with 200 engraved illustrations18 cited

Cited by

  • 1995Female Desire and the Discourse of Empire: Tacitus's Messalina83 cited
  • 2013The Rival Sirens29 cited
  • 2022The Spanish Alexander10 cited
  • 1998Female operatic cross-dressing: Bernardo Saddumene's libretto for Leonardo Vinci's Li zite 'n galera (1722)7 cited
  • 2014

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The rival sirens: performance and identity on Handel's operatic stage
7 cited
  • 2022Alexander the Great in Byzantine Tradition, AD 330–14535 cited
  • 2010‘Now I come to you, ladies, after so much time’: Cleopatra, Maria d'Aragona and anintermediofor the Duchess of Alba3 cited