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Inside Shock Music Carnival: Spectacle as Contested Terrain
5 references·16 citing·43 second hop
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References

  • 1967The Social Construction of Reality: A Treatise in the Sociology of Knowledge.16,459 cited
  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 2020The Society of the Spectacle1,640 cited
  • 1998The conquest of cool: business culture, counterculture, and the rise of hip consumerism852 cited
  • 1996Metalheads: Heavy Metal Music And Adolescent Alienation202 cited

Cited by

  • 2013Depending on music to feel better: Being conscious of responsibility when appropriating the power of music152 cited
  • 2016Un(su)Stained Class?53 cited
  • 2014A Corporation in Feminist Clothing? Young Women Discuss the Dove ‘Real Beauty’ Campaign51 cited
  • 2016Introduction49 cited
  • 2015Dress, transformation, and conformity in the heavy rock subculture42 cited
  • 2005Alienation Incorporated: ‘F*** the Mainstream Music’ in the Mainstream41 cited
  • 2013The sound of street corner society: UK grime music as ethnography37 cited
  • 2019Breaking down the breakdown in twenty-first-century metal36 cited
  • 2013‘I Bang my Head, Therefore I Am’: Constructing Individual and Social Authenticity in the Heavy Metal Subculture24 cited
  • 2014Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene

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23 cited
  • 2013Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene15 cited
  • 2019Music in the time-spectrum: routines, spaces and emotional experience14 cited
  • 2014The Commodification of Spectacle: Spectators, Sponsors and the Outlaw Biker Diegesis at Sturgis11 cited
  • 2009Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33»8 cited
  • 2011Antwoord gooi zef liminality : of monsters, carnivals and affects7 cited
  • 2014Brothers of Metal! Heavy Metal Masculinities, Moshpit Practices and Homosociality6 cited