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Root-Position and Inverted Triads in Theory around 1600
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Root-Position and Inverted Triads in Theory around 1600 (1974)Root-Position and Inverted Triads in Theo…Transformations for the Twenty-First Century (2025)Transformations for the Twent…The Predominant Six-Four in the Late Music of Richard Strauss (2023)The Predominant Six-Four in t…Modal and Tonal Aspects in Two Compositions by Heinrich Schütz (1992)Modal and Tonal Aspects in Tw…Major-Minor Concepts and Modal Theory in Germany, 1592-1680 (1977)Major-Minor Concepts and Moda…Tonal Types and Modal Categories in Renaissance Polyphony (1981)Music as Drama (1988)The Perfections of Modern Music: Consecutive Fifths and Tonal Coherence in Monteverdi (1989)Music, Style and Society (1993)Music in the Baroque Era (1949)Music in the Renaissance (1954)Theory of Harmony (1978)Form and Method in Johannes Lippius's "Synopsis musicae novae" (1985)Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Perspectives of New Music (1963)Harmony and Voice Leading (1982)The Oxford History of Western Music (2006)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Music in the Galant Style (2007)
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  • 1977Major-Minor Concepts and Modal Theory in Germany, 1592-168020 cited
  • 2023The Predominant Six-Four in the Late Music of Richard Strauss13 cited
  • 2025Transformations for the Twenty-First Century4 cited
  • 1992Modal and Tonal Aspects in Two Compositions by Heinrich Schütz4 cited

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