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THE MOSCOW ART THEATRE
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THE MOSCOW ART THEATRE (1996)THE MOSCOW ART THEATRERediscovering Stanislavsky (2019)Rediscovering StanislavskyThe Cambridge introduction to theatre directing (2014)The Cambridge introduction to…Experiencing or pretending—are we getting to the core of Stanislavski's approach? (2012)Experiencing or pretending—ar…Vigotski e o teatro: descobertas, relações e revelações (2011)Vigotski e o teatro: descober…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…Brecht on Theatre (1964)Free Play: Improvisation in Life and Art (1990)An Actor's Work (2008)The Theater and Its Double (1958)The Empty Space (1968)Towards a Poor Theatre (2012)Political Theatre in Europe: East to West, 2007–2014 (2016)Realism Redux: Staging ‘Billy Budd’ in the Age of Television (2019)Stanislavsky in Focus: An Acting Master for the Twenty-First Century (1998)Manuscrito de 1929 (2000)VYGOTSKY UMA PERSPECTIVA HISTÓRICO-CULTURAL DA EDUCAÇÃO (2005)Sentidos do “drama” na perspectiva de Vigotski: um diálogo no limiar entre arte e psicologia (2011)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure (2009)Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’sRodelinda (2013)Uplift, Gender, and Scott Joplin's Treemonisha (2015)Brecht on Theatre: The Development of an Aesthetic (1964)The Sacred and The Profane: The Nature of Religion (1987)The Cultural Front (1992)Teaching Stanislavsky: periodization and the formation of theatre canons (2020)Konstantin Stanislavski and Emile Jaques-Dalcroze: historical and pedagogical connections between actor training and music education (2021)“Music, singing, word, action”: the Opera-Dramatic Studio 1935–1938 (2023)
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  • 2019Rediscovering Stanislavsky25 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2014The Cambridge introduction to theatre directing12 cited
  • 2012Experiencing or pretending—are we getting to the core of Stanislavski's approach?5 cited
  • 2011Vigotski e o teatro: descobertas, relações e revelações5 cited

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