Stanislavsky in Focus: An Acting Master for the Twenty-First Century

Sharon Marie Carnicke

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Theatre and Performance Studies Theater, Performance, and Music History Arts and Performance Studies

Abstract

Preface: Stanislavsky Enters the Twenty-First Century Part 1: Transmission From Moscow to New York. New York Adopts Stanislavsky. Part 2: Translation The Classroom Circuit. The Publication Maze. Part 3: Transformation Stanislavsky's Lost Term. Emotion and the Human Spirit of the Role. Action and the Human Body in the Role. Conclusion: A Legacy for the Future. Appendix I : Reading Between the Lines. Appendix II: Stanislavsky and Modern Dance. The System's Terminology: A Selected Glossary

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2016MSP-IMPROV: An Acted Corpus of Dyadic Interactions to Study Emotion Perception 2019A Conceptual Analysis of Perspective Taking in Support of Socioscientific Reasoning 2016Using our Heads and HARTSS*: Developing Perspective-Taking Skills for Socioscientific Reasoning (*Humanities, ARTs, and Social Sciences)2010The USC Creative IT Database: A Multimodal Database of Theatrical Improvisation 2015The USC CreativeIT database of multimodal dyadic interactions: from speech and full body motion capture to continuous emotional annotations 2017On the Concept of Perezhivanie: A Quest for a Critical Review 2014Analysis and Predictive Modeling of Body Language Behavior in Dyadic Interactions from Multimodal Interlocutor Cues 2019Rediscovering Stanislavsky

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