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Stanislavsky in Focus: An Acting Master for the Twenty-First Century
0 references·16 citing·50 second hop
Stanislavsky in Focus: An Acting Master for the Twenty-First Century (1998)Stanislavsky in Focus: An Acting Master f…Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography (2021)Recalling emotional recall: r…Multimodal Acting and Performing (2020)Multimodal Acting and Perform…Rediscovering Stanislavsky (2019)Rediscovering StanislavskyA Conceptual Analysis of Perspective Taking in Support of Socioscientific Reasoning (2019)A Conceptual Analysis of Pers…The Theatre of Modernity (2017)The Theatre of ModernityShakespeare Performance Studies (2017)Shakespeare Performance Studi…On the Concept of Perezhivanie: A Quest for a Critical Review (2017)On the Concept of Perezhivani…Using our Heads and HARTSS*: Developing Perspective-Taking Skills for Socioscientific Reasoning (*Humanities, ARTs, and Social Sciences) (2016)Using our Heads and HARTSS*: …The embodied performance pedagogy of Jacques Lecoq (2016)The embodied performance peda…Stanislavski’s system in musical theatre actor training: anomalies of acting song (2016)Stanislavski’s system in musi…MSP-IMPROV: An Acted Corpus of Dyadic Interactions to Study Emotion Perception (2016)MSP-IMPROV: An Acted Corpus o…The USC CreativeIT database of multimodal dyadic interactions: from speech and full body motion capture to continuous emotional annotations (2015)The USC CreativeIT database o…The Cambridge introduction to theatre directing (2014)The Cambridge introduction to…Analysis and Predictive Modeling of Body Language Behavior in Dyadic Interactions from Multimodal Interlocutor Cues (2014)Analysis and Predictive Model…’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today (2013)’Tis Pity She’s a Realist: A …The USC Creative IT Database: A Multimodal Database of Theatrical Improvisation (2010)The USC Creative IT Database:…Construct validity in psychological tests. 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  • 2010The USC Creative IT Database: A Multimodal Database of Theatrical Improvisation64 cited
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  • 2014Analysis and Predictive Modeling of Body Language Behavior in Dyadic Interactions from Multimodal Interlocutor Cues26 cited
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  • 2017Shakespeare Performance Studies20 cited
  • 2021Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography17 cited
  • 2017The Theatre of Modernity16 cited
  • 2013’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today16 cited
  • 2020Multimodal Acting and Performing16 cited
  • 2014

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The Cambridge introduction to theatre directing
12 cited
  • 2016The embodied performance pedagogy of Jacques Lecoq11 cited
  • 2016Stanislavski’s system in musical theatre actor training: anomalies of acting song9 cited