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The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the "Ring"
2 references·6 citing·32 second hop
The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the "Ring" (1994)The Metaphysics of Annihilation: Wagner, …Richard Wagner: A Biography (1980)Richard Wagner: A BiographyLectures on the Philosophy of World History (1975)Lectures on the Philosophy of…Tugging at Heartstrings (2022)Tugging at HeartstringsUnderstanding the leitmotif: from Wagner to Hollywood film music (2016)Understanding the leitmotif: …The Hexatonic and the Double Tonic (2007)The Hexatonic and the Double …Rotational Form in the Opening Scene of Gershwin's Porgy and Bess (2007)Rotational Form in the Openin…In Search of C Major: Tonal Structure and Formal Design in Act III of Die Meistersinger (2007)In Search of C Major: Tonal S…Neo-Riemannian Transformations and Prolongational Structures in Wagner's Parsifal (2003)Neo-Riemannian Transformation…Generalized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)The New Grove dictionary of music and musicians (2001)Fascinating rhythm: the collaboration of George and Ira Gershwin (1992)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Complexities in Gershwin’sPorgy and Bess: Historical and Performing Contexts (2019)Gershwin in Hollywood (2019)The Cambridge Companion to Gershwin (2019)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The Concept of Mutability in Russian Theory (2014)Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony (2021)Course in General Linguistics (1960)A Grammar of Motives (1969)The Anxiety of Influence: A Theory of Poetry (1974)Music Keeps Us Together. Pop Songs in Korean Television Dramas (2019)Toward a Naturalized Aesthetics of Film Music (2019)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Introduction to Schenkerian Analysis (1983)Introduction to Schenkerian Analysis (1984)The Philosophy of Schopenhauer (1997)A Certain Tendency of the Hollywood Cinema, 1930-1980 (1985)Eros the Bittersweet (1986)Classical Form (1998)Wagner and the Romantic Hero (2004)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Wagner and the Rise of Modern Mythology (2020)Beyond Occidentalism: Toward Nonimperial Geohistorical Categories (1996)On the Emergence of Memory in Historical Discourse (2000)German Philosophy 1760–1860 (2002)
this work references cited by second hop

References

  • 1975Lectures on the Philosophy of World History1,146 cited
  • 1980Richard Wagner: A Biography35 cited

Cited by

  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2007Rotational Form in the Opening Scene of Gershwin's Porgy and Bess29 cited
  • 2007The Hexatonic and the Double Tonic14 cited
  • 2003Neo-Riemannian Transformations and Prolongational Structures in Wagner's Parsifal3 cited
  • 2022Tugging at Heartstrings2 cited
  • 2007In Search of C Major: Tonal Structure and Formal Design in Act III of Die Meistersinger2 cited

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