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The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani’s Chop Shop as a Case Study
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The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani’s Chop Shop as a Case Study (2013)The New Realistic Trend in Contemporary W…World Cinema and the Ethics of Realism (2011)World Cinema and the Ethics o…Moving viewers: American film and the spectator's experience (2009)Moving viewers: American film…Film Theory: An Introduction Through the Senses (2009)Film Theory: An Introduction …The philosophy of motion pictures (2008)The philosophy of motion pict…Catching Characters Emotions: Emotional Contagion Responses to Narrative Fiction Film (2006)Catching Characters Emotions:…Empathic Engagement with Narrative Fictions (2004)Empathic Engagement with Narr…Film Structure and the Emotion System (2003)Film Structure and the Emotio…True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…Engaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…Emotion and the structure of narrative film film as an emotion machine (1996)Emotion and the structure of …Claiming the real: the Griersonian documentary and its legitimations (1996)Claiming the real: the Griers…Representing reality: issues and concepts in documentary (1992)Representing reality: issues …Film theory: an introduction (1988)Film theory: an introductionMimesis: The Representation of Reality in Western Literature (1954)Mimesis: The Representation o…Mimesis: The Representation of Reality in Western Literature (1953)Mimesis: The Representation o…Mind, Self, and Society (1967)Accessibility and situation models in narrative comprehension (1987)Do readers mentally represent characters' emotional states? (1992)Simulating Minds (2006)The many faces of emotional contagion (2014)PERSPECTIVES IN IMAGINATIVE ENGAGEMENT WITH FICTION (2017)Hitchcock’S Films Revisited (1960)Mimesis as Make-Believe: On the Foundations of the Representational Arts. (1993)Art Moods and Human Moods in Narrative Cinema (2012)How Authors' Minds Make Stories (2013)Aesthetics as Philosophy of Perception (2016)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)Chapter 9 Toward a Comprehensive Model of Comprehension (2009)The Role of a Narrative's Emotional Flow in Promoting Persuasive Outcomes (2014)In support of a wide notion of media accessibility: Access to content and access to creation (2018)Sound Design is the New Score (2019)Comics and the Body: Drawing, Reading, and Vulnerability (2020)Law: A Map of Misreading. Toward a Postmodern Conception of Law (1987)Music as a technology of the self (1999)Music in Everyday Life (2000)Time in Ancient Greek Literature (2007)Modernism and the Ordinary (2009)New mediation and direct representation: reconceptualizing representation in the digital age (2005)The Internet and democratic citizenship: theory, practice and policy (2010)What Literature Teaches Us about Emotion (2011)Film tourism – Evolution, progress and prospects (2012)Gamification: A cognitive-emotional view (2018)Critical Discourse Analysis. Theory and Interdisciplinarity. (2003)Cross-Cultural Representation of ‘Otherness’ in Media Discourse (2003)Stranger than Fiction? A Few Methodological Notes on Linguistic Research in Film Discourse (2011)
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References

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  • 1953Mimesis: The Representation of Reality in Western Literature1,190 cited
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  • 2009Moving viewers: American film and the spectator's experience347 cited
  • 2004Empathic Engagement with Narrative Fictions318 cited
  • 2003Film Structure and the Emotion System285 cited
  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory236 cited
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  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory129 cited
  • 2011World Cinema and the Ethics of Realism113 cited
  • 2006Catching Characters Emotions: Emotional Contagion Responses to Narrative Fiction Film

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