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American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter
1 references·6 citing·30 second hop
American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter (1994)American Gamelan in the Garden of Eden: I…Covert and Casual Values in Recent Writings about Music (1987)Covert and Casual Values in R…Convergent evolution in a large cross-cultural database of musical scales (2021)Convergent evolution in a lar…Pitch and tuning in Beninese brass bands (2018)Pitch and tuning in Beninese …Split Centers: Gamelan Fusion Post-Multiculturalism (2015)Split Centers: Gamelan Fusion…Gamelan Performance Outside Indonesia “Setting Sail”: Babar Layar and Notions of “Bi-musicality” (2011)Gamelan Performance Outside I…Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than It Sounds (2008)Lou Harrison’s Music for West…Issues of Pastiche and Illusions of Authenticity in Gamelan-Inspired Composition (2007)Issues of Pastiche and Illusi…The New Grove Dictionary of Music and Musicians (1981)The Two Versions of Bruckner's Eighth Symphony (1992)The classical style: Haydn, Mozart, Beethoven (1997)Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century (2001)The New Grove dictionary of music and musicians (2001)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Journal of the Royal Society of Arts: 1852–1952 (1952)A guide to the gamelan (1990)Recovering the Orient: Artists, Scholars,Appropriations (1994)Hidden learning and instrumental and vocal development in a university music department (2012)Bi-musical Curricula and “Abyssal Thinking”: The Case of KM Music Conservatory, India (2019)Improving Prospective Primary School Teachers’ Skill in Playing Gamelan Degung: An Action Research in Indonesia (2019)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)From ritual to theatre : the human seriousness of play (1982)Subcultural Sounds: Micromusics of the West (1993)Acceptance of Javanese Karawitan in Japan: Appreciation of traditional culture and community activities (2023)Adaptations, Code-Switching, and Novelty With Cultural Integrity: Musicians Performing and Learning Musical Instruments in Different Musical Traditions (2025)The time of music: new meanings, new temporalities, new listening strategies (1989)Global Pop: World Music, World Markets (1998)A Sweet Lullaby for World Music (2000)Playing Apart as "Playing Together": Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola (2014)The sublime object of ideology (1990)Multiculturalism: Examining the Politics of Recognition. (1994)The Location of Culture (2012)African Language Studies (1960)Participatory Discrepancies and the Power of Music (1987)Representing African Music: Postcolonial Notes, Queries, Positions (2004)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The study of ethnomusicology: thirty-one issues and concepts (2006)Cultural evolutionary theory: How culture evolves and why it matters (2017)
this work references cited by second hop

References

  • 1987Covert and Casual Values in Recent Writings about Music75 cited

Cited by

  • 2008Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than It Sounds9 cited
  • 2007Issues of Pastiche and Illusions of Authenticity in Gamelan-Inspired Composition6 cited
  • 2021Convergent evolution in a large cross-cultural database of musical scales6 cited
  • 2011Gamelan Performance Outside Indonesia “Setting Sail”: Babar Layar and Notions of “Bi-musicality”5 cited
  • 2018Pitch and tuning in Beninese brass bands4 cited
  • 2015Split Centers: Gamelan Fusion Post-Multiculturalism3 cited

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