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Music in European Capitals: The Galant Style, 1720-1780
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Cited by

  • 2019The Cambridge History of Music Criticism85 cited
  • 2012M eyer's Anvil: Revisiting the Schema Concept83 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2019Writing about Popular Music53 cited
  • 2013TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA50 cited
  • 2015THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK46 cited
  • 2018Gjerdingen’s Schemata Reexamined46 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2013Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism45 cited
  • 2013Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism45 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 2014New Light on the Bouffons in Paris (1752–1754)25 cited
  • 2020The Volta: A Galant Gesture of Culmination25 cited
  • 2009Listening, thinking and writing22 cited
  • 2013The Cambridge Companion to the Symphony22 cited

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2012
Tonal Structures in Bellini
21 cited