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Authenticating Geographies and Temporalities: Representations of Chinese Rock in China
15 references·7 citing·27 second hop
Authenticating Geographies and Temporalities: Representations of Chinese Rock in China (2005)Authenticating Geographies and Temporalit…Subculture (2010)SubcultureCinema and desire: feminist Marxism and cultural politics in the work of Dai Jinhua (2003)Cinema and desire: feminist M…Translocal spatiality (2002)Translocal spatialityMedia in China: Consumption, Content and Crisis (2002)Media in China: Consumption, …Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong (1999)Cantopop and Mandapop in pre-…Modernity at Large: Cultural Dimensions of Globalization. (1998)Modernity at Large: Cultural …Ethics after Idealism: Theory, Culture, Ethnicity, Reading (1998)Ethics after Idealism: Theory…Chinese modernism in the era of reforms: cultural fever, avant-garde fiction, and the new Chinese cinema (1997)Chinese modernism in the era …Performing Rites (1996)Performing RitesSubculture: The Meaning of Style (1995)Subculture: The Meaning of St…Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music (1995)Like a Knife: Ideology and Ge…China pop : how soap operas, tabloids, and bestsellers are transforming a culture (1995)China pop : how soap operas, …Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music (1994)Like a Knife: Ideology and Ge…Rockin' the boat: mass music and mass movements (1993)Rockin' the boat: mass music …Popular Music in Contemporary Beijing: Modernism and Cultural Identity (1991)Popular Music in Contemporary…Relocating the Functions of Chineseness in Chinese Popular Music after the China Wind (2020)Relocating the Functions of C…Worlding and new music cultures in Shanghai (2019)Worlding and new music cultur…Neutralizing Temporary Inequities in Moral Status: Chinese Street Singers and the Gift Economy (2019)Neutralizing Temporary Inequi…Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city (2017)Guerrilla warfare, flagship p…Cultural Synchronization - Hip Hop with Chinese Characteristics? (2017)Cultural Synchronization - Hi…Noise in G uangzhou: the cultural politics of underground popular music in contemporary G uangzhou (2014)Noise in G uangzhou: the cult…Material visions: dress and textiles (2011)Material visions: dress and t…Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)Owning the Olympics Narratives of the New China (2008)Owning the Olympics (2008)The Beijing Olympics as a Campaign of Mass Distraction (2009)China's Provincial Identities: Reviving Regionalism and Reinventing “Chineseness” (2000)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Unruly Spaces: Gender, Women's Writing and Indigenous Feminism in China (2007)Film Festivals: Culture, People, and Power on the Global Screen (2011)Mobile intimacies in the queer Sinophone films of Cui Zi'en (2012)A Reconsideration of Personal Boundaries in Space-Time (1995)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Celebrity Politicians: Popular Culture and Political Representation (2004)Hybridity (2004)Heteroglossia and Boundaries (2007)The Culture of Japanese Fascism (2009)Naming practices and the power of words in China (1997)Western-Led Press Coverage of Mainland China and Vietnam during the SARS Crisis: Reassessing the Concept of ‘Media Representation of theOther’ (2005)Worlds beyond Westphalia: Daoist dialectics and the ‘China threat’ (2013)
this work references cited by second hop

References

  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 2010Subculture1,268 cited
  • 1996Performing Rites1,123 cited
  • 1998Ethics after Idealism: Theory, Culture, Ethnicity, Reading274 cited
  • 1993Rockin' the boat: mass music and mass movements225 cited
  • 2003Cinema and desire: feminist Marxism and cultural politics in the work of Dai Jinhua151 cited
  • 1997Chinese modernism in the era of reforms: cultural fever, avant-garde fiction, and the new Chinese cinema149 cited
  • 1995China pop : how soap operas, tabloids, and bestsellers are transforming a culture130 cited
  • 2002Media in China: Consumption, Content and Crisis128 cited
  • 1995Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music94 cited
  • 2002Translocal spatiality70 cited
  • 1994Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music65 cited
  • 1991Popular Music in Contemporary Beijing: Modernism and Cultural Identity39 cited
  • 1999Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong36 cited

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Cited by

  • 2017Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city19 cited
  • 2014Noise in G uangzhou: the cultural politics of underground popular music in contemporary G uangzhou13 cited
  • 2020Relocating the Functions of Chineseness in Chinese Popular Music after the China Wind11 cited
  • 2019Worlding and new music cultures in Shanghai7 cited
  • 2019Neutralizing Temporary Inequities in Moral Status: Chinese Street Singers and the Gift Economy6 cited
  • 2011Material visions: dress and textiles4 cited
  • 2017Cultural Synchronization - Hip Hop with Chinese Characteristics?4 cited