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High-resolution fluorescence mapping of impurities in historical zinc oxide pigments: hard X-ray nanoprobe applications to the paints of Pablo Picasso

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References

2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
2011Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings188 cited
2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
2001Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy152 cited
2010Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward144 cited
2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples138 cited
2001The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations117 cited

Cited by

2013Nanoscale Investigation of the Degradation Mechanism of a Historical Chrome Yellow Paint by Quantitative Electron Energy Loss spectroscopy Mapping of Chromium Species40 cited
2016Photoluminescence properties of zinc white: an insight into its emission mechanisms through the study of historical artist materials27 cited

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2018Time-Resolved Photoluminescence Microscopy Combined with X-ray Analyses and Raman Spectroscopy Sheds Light on the Imperfect Synthesis of Historical Cadmium Pigments26 cited

2014Study of modern artistic materials using combined spectroscopic and chromatographic techniques. Case study: painting with the signature “Picasso”24 cited

2017Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers23 cited

2015Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints21 cited

2020Listening to laser light interactions with objects of art: a novel photoacoustic approach for diagnosis and monitoring of laser cleaning interventions21 cited

2024An analytical survey of zinc white historical and modern artists’ materials19 cited

2020Using Synchrotron Radiation for Characterization of Cultural Heritage Materials14 cited

2016A Study of Picasso's Painting Materials and Techniques in Six of His Early Portraits14 cited

2013Nanoscale Investigation of the Degradation Mechanism of a Historical Chrome Yellow Paint by Quantitative Electron Energy Loss spectroscopy Mapping of Chromium Species14 cited

2015Gloss paints in late paintings by Francis Picabia: a multi-analytical study13 cited

2017New Insights on Picasso’s Blue Period PaintingLa famille Soler12 cited