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From the Imperial Court to the International Art Market: Jingdezhen Porcelain Production as Global Visual Culture
5 references·5 citing·38 second hop
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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2005China Marches West: The Qing Conquest of Central Eurasia436 cited
  • 1958Meaning in the Visual Arts434 cited
  • 1984Chinese export watercolours40 cited
  • 2007Collectors, Collections and Museums: The Field of Chinese Ceramics in Britain, 1560-196039 cited

Cited by

  • 2017Circulation: reflections on circularity, entity, and liquidity in the language of global history104 cited
  • 2017Export Chinese blue-and-white porcelain: compositional analysis and sourcing using non-invasive portable XRF and reflectance spectroscopy48 cited
  • 2022Distinguishing Genuine Imperial Qing Dynasty Porcelain from Ancient Replicas by On-Site Non-Invasive XRF and Raman Spectroscopy30 cited
  • 2023Non-Invasive On-Site pXRF Analysis of Coloring Agents of Under- and Over-Glazes: Variability and Representativity of Measurements on Porcelain10 cited
  • 2020A Comparative Study of Contemporary Ceramic Sculptures between China and Bangladesh6 cited

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