Cited by

• 2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
• 2017On‐site Raman study of artwork: Procedure and illustrative examples44 cited
• 2012Gemstones and noble metals adorning the sceptre of the Faculty of Science of Charles University in Prague: integrated analysis by Raman and XRF handheld instruments41 cited
• 2019Evaluation and optimization of the potential of a handheld Raman spectrometer: in situ, noninvasive materials characterization in artworks41 cited
• 2015Multi-technique investigation of Roman decorated plasters from Villa dei Quintili (Rome, Italy)40 cited
• 2014Colour degradation of artworks: an ab initio approach to X-ray, electronic and optical spectroscopy analyses of vermilion photodarkening37 cited
• 2018LIF/Raman/XRF non-invasive microanalysis of frescoes from St. Alexander catacombs in Rome35 cited
• 2024X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling34 cited
• 2010Murillo's paintings revealed by spectroscopic techniques and dedicated laboratory-made micro X-ray diffraction32 cited
• 2014Raman spectroscopic study of the degradation of a middle age mural painting: the role of agricultural activities31 cited
• 2017In situ Raman and pXRF spectroscopic study on the wall paintings of Etruscan Tarquinia tombs31 cited
• 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
• 2014Crocoite PbCrO4 and mimetite Pb5(AsO4)3Cl: rare minerals in highly degraded mediaeval murals in Northern Bohemia30 cited
• 2018Analysis of a European cupboard by XRF, Raman and FT-IR29 cited
• 2018Characterization of the wall paintings in La Casa de los Grifos of Roman city Complutum29 cited
• 2014Comparison of binder compositions in Pompeian wall painting styles from Insula Occidentalis29 cited