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Cited by

• 2005Eighteenth-century women poets107 cited
• 2005The social world of authorship 1660–171466 cited
• 1995Anonymous Signatures: Circulating Libraries, Conventionality, and the Production of Gothic Romances54 cited
• 2006Bourgeois Blues: Class, Whiteness, and Southern Gothic in Early Faulkner and Caldwell28 cited
• 2005Publishing and bookselling 1660–178028 cited
• 2005Diary and autobiography28 cited
• 2005The eighteenth-century periodical essay24 cited
• 2022The rewriting ethos of the Vertigo imprint: critical perspectives on memory-making and canon formation in the American comics field23 cited
• 2013"Searching after the Splendid Nothing": Gothic Epistemology and the Rise of Fictionality22 cited
• 1998Narrative as Enchantment in The Mysteries of Udolpho22 cited
• 2005Political, satirical, didactic and lyric poetry (I): from the Restoration to the death of Pope22 cited
• 1997Creator and Created in Mary Shelley'sFrankenstein12 cited
• 2006Gothic Criticism: a Survey, 1764–20047 cited
• 2005The Gothic novel7 cited
• 2009The Mysteries of Postmodernism, or, Fredric Jameson's Gothic Plots