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Diskurse an der Schnittstelle zum digitalen Zeitalter – Klassisches Musiktheater und die kommunikative Form des Mashups
16 references·0 citing·32 second hop
Diskurse an der Schnittstelle zum digitalen Zeitalter – Klassisches Musiktheater und die kommunikative Form des Mashups (2014)Diskurse an der Schnittstelle zum digital…Live to your local cinema: the remarkable rise of livecasting (2013)Live to your local cinema: th…Live To Your Local Cinema (2012)Live To Your Local CinemaThe Opera Fanatic: Ethnography of an Obsession (2011)The Opera Fanatic: Ethnograph…The Opera Fanatic (2011)The Opera FanaticOpera in Performance--In Search of New Analytical Approaches (2011)Opera in Performance--In Sear…Porn Style? Space and Time in Live Opera Videos (2010)Porn Style? Space and Time in…Media Borders, Multimodality and Intermediality (2010)Media Borders, Multimodality …Digital Diva: Opera on Video (2010)Digital Diva: Opera on VideoLiveness: performance in a mediatized culture (2008)Liveness: performance in a me…Liveness (2008)LivenessCopy-and-Persist: The Logic of Mash-Up Culture (2007)Copy-and-Persist: The Logic o…The operatic scandal of the singing body: Voice, presence, performativity (2004)The operatic scandal of the s…Ästhetik des Performativen (2004)Ästhetik des PerformativenUnmarked (2003)UnmarkedOpera on Screen (2000)Opera on ScreenUnmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)We have never been modern (1994)Simulacra and Simulation (1995)HD Opera: A Love/Hate Story (2011)Almost like being there? A conceptualisation of live-streaming theatre (2018)As Seen on TV: Putting the NBC Opera on Stage (2018)2. Relevance Theory as model for analysing visual and multimodal communication (2014)Critical Media Literacy as Transformative Pedagogy (2015)Triangulating transmediality: A multimodal semiotic framework relating media, modes and genres (2017)The Mediatization of Society (2008)Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications (2010)Understanding Social Media Logic (2013)Do Voices Matter? Vocality, Materiality, Gender Performativity (2011)Anthropology and Voice (2014)Introduction: Voice Matters (2014)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Patterns of listening through social media: online fan engagement with the live music experience (2012)Screening from the Met, the NT, or the House: what changes with the live relay (2014)Shakespeare, Spectatorship and the Technologies of Performance (2020)Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)The Concept of Performativity in Narratology (2009)Arts and health: Active factors and a theory framework of embodied aesthetics (2017)Afterwords (2000)Dead Geographies—And How to Make Them Live (2000)Sight over sound in the judgment of music performance (2013)Why go to pop concerts? The motivations behind live music attendance (2016)‘Absentmindedly scrolling through nothing’: liveness and compulsory continuous connectedness in social media (2020)The sciences of subjectivity (2012)Taste Engineering: An Extended Consumer Model of Cultural Competence Constitution (2016)The Three Generations of Cultural Capital Research: A Narrative Review (2017)
this work references cited by second hop

References

  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2003Unmarked820 cited
  • 2008Liveness630 cited
  • 2010Media Borders, Multimodality and Intermediality237 cited
  • 2004Ästhetik des Performativen200 cited
  • 2011The Opera Fanatic154 cited
  • 2004The operatic scandal of the singing body: Voice, presence, performativity95 cited
  • 2012Live To Your Local Cinema85 cited
  • 2010Digital Diva: Opera on Video65 cited
  • 2011The Opera Fanatic: Ethnography of an Obsession62 cited
  • 2013Live to your local cinema: the remarkable rise of livecasting55 cited
  • 2007Copy-and-Persist: The Logic of Mash-Up Culture52 cited
  • 2000Opera on Screen46 cited
  • 2010Porn Style? Space and Time in Live Opera Videos39 cited
  • 2011Opera in Performance--In Search of New Analytical Approaches17 cited

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