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Hexatonic Poles and the Uncanny in Parsifal
7 references·15 citing·35 second hop
Hexatonic Poles and the Uncanny in Parsifal (2007)Hexatonic Poles and the Uncanny in Parsif…Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Uncanny Resemblances: Tonal S…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Some Notes on Analyzing Wagner: "The Ring" and "Parsifal" (1992)Some Notes on Analyzing Wagne…Music Theory, Phenomenology, and Modes of Perception (1986)Music Theory, Phenomenology, …Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B (1984)Amfortas's Prayer to Titurel …The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Standard Edition of the C…Processual Tonality and the Psychoacoustics of Chromaticism (2025)Processual Tonality and the P…An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music (2023)An Eightfold Taxonomy of Harm…Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony (2021)Formalising Star Clusters: So…Wagner and the Rise of Modern Mythology (2020)Wagner and the Rise of Modern…The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Specters of Nazism (2020)Specters of NazismOn Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality (2019)On Rimsky-Korsakov’s False (H…Vertigo’s Musical Gaze: Neo‐Riemannian Symmetries and Spirals (2018)Vertigo’s Musical Gaze: Neo‐R…PL Voice Leading and the Uncanny in Pop Music (2017)PL Voice Leading and the Unca…The Music of the Living-Dead (2015)The Music of the Living-DeadThe Transformational Energetics of the Tonal Universe: Cohn, Rings and Tymoczko (2014)The Transformational Energeti…Scoring Loss in Some Recent Popular Film and Television (2014)Scoring Loss in Some Recent P…Chromatic‐Third Relations in the Music of B ruckner: a Neo‐ R iemannian Perspective (2013)Chromatic‐Third Relations in …Tonality and transformation (2012)Tonality and transformationThe Hexatonic and the Double Tonic (2007)The Hexatonic and the Double …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Theorizing Musical Meaning (2001)The Subdominant Tritone in Film and Television Music (2021)Hollywood Harmony: Musical Wonder and the Sound of Cinema (2022)Generalized Musical Intervals and Transformations (1988)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Cross-Type Transformations and the Path Consistency Condition (2007)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)The Cambridge History of Western Music Theory (2002)Schoenberg's Musical Imagination (2007)Form, Program, and Metaphor in the Music of Berlioz (2009)The End(s) of Genre (2013)Source Readings in Music History (1950)The Anxiety of Influence (1973)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Action and Agency Revisited (2013)Music and Ethical Responsibility (2014)Perspectives of New Music (1963)Records of Inspiration (2016)Rethinking Schubert (2016)Rethinking Brahms (2022)From Max Weber: Essays in Sociology (1946)Philosophical Investigations (1954)Simulacra and Simulation (1995)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)Learned helplessness in humans: Critique and reformulation. (1978)Self-discrepancy: A theory relating self and affect. (1987)Illusion and well-being: A social psychological perspective on mental health. (1988)Chromatic Transformations in Nineteenth-Century Music (2002)The Metaphor of Musical Space (2003)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)Tonality (2002)The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music (2006)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)
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References

  • 1953The Standard Edition of the Complete Psychological Works of Sigmund Freud17,730 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2004Uncanny Resemblances: Tonal Signification in the Freudian Age155 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited
  • 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B75 cited
  • 1992Some Notes on Analyzing Wagner: "The Ring" and "Parsifal"69 cited

Cited by

  • 2012Tonality and transformation47 cited
  • 2014Scoring Loss in Some Recent Popular Film and Television36 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2023An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music21 cited
  • 2015The Music of the Living-Dead15 cited
  • 2019On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality14 cited
  • 2007The Hexatonic and the Double Tonic14 cited
  • 2017

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PL Voice Leading and the Uncanny in Pop Music
9 cited
  • 2013Chromatic‐Third Relations in the Music of B ruckner: a Neo‐ R iemannian Perspective8 cited
  • 2021Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony6 cited
  • 2018Vertigo’s Musical Gaze: Neo‐Riemannian Symmetries and Spirals3 cited
  • 2014The Transformational Energetics of the Tonal Universe: Cohn, Rings and Tymoczko3 cited
  • 2020Wagner and the Rise of Modern Mythology2 cited
  • 2020Specters of Nazism2 cited
  • 2025Processual Tonality and the Psychoacoustics of Chromaticism2 cited