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Merce Cunningham and the Aesthetic of Collage
6 references·1 citing·21 second hop
Merce Cunningham and the Aesthetic of Collage (2002)Merce Cunningham and the Aesthetic of Col…Collage : critical views (1989)Collage : critical viewsDada, Surrealism, and Their Heritage (1969)Dada, Surrealism, and Their H…Fundamentals of Play Directing (1965)Fundamentals of Play DirectingBrecht on Theatre (1964)Brecht on TheatreThe art of assemblage (1961)The art of assemblageThe Art of Making Dances (1959)The Art of Making DancesPerformance and the philosopher’s costume: Richard Shusterman as the Man in Gold (2020)Performance and the philosoph…Between History and Event: Rehearsing Nuclear War Survival (2002)Performativity and the historical body: Detecting performance through the archived costume (2013)Dewey, Second Nature, Social Criticism, and the Hegelian Heritage (2017)Liberatory Pedagogy and Activated Directing: Restructuring the College Rehearsal Room (2008)Die Ordnung des Theaters (2013)Collaborative Theatre/Creative Process (2015)Healing processes in group dance therapy (1985)Packaging Doris Humphrey or A Question of Form: Nona Schurman Shares Her Thoughts on Doris Humphrey's Choreography (1996)Thinking in action: thought made visible in contemporary dance (2005)Art and technology I. Steps toward a new synergism (1969)Art and technology II. A call for collaboration (1969)Exquisite Corpse (2012)Stereotypes and the Media: A Re-evaluation (1986)A paradigm for performance studies (1987)Exploring Risky Youth Experiences: Popular Theatre as a Participatory, Performative Research Method (2004)L'affiche laceree: Ses successives immixtions dans les arts (1969)Youth media as narrative assemblage: examining new literacies at an urban high school (2012)Messy entanglements: research assemblages in heart transplantation discourses and practices (2017)Whose Modernism Is It? Abraham Cahan, Fictions of Yiddish, and the Contest of Modernity (2005)Collage: A Paradigm for Performance Studies (2009)Cultural Borrowings:: Appropriation, Reworking, Transformation (2009)
this work references cited by second hop

References

  • 1964Brecht on Theatre408 cited
  • 1959The Art of Making Dances132 cited
  • 1965Fundamentals of Play Directing72 cited
  • 1989Collage : critical views68 cited
  • 1969Dada, Surrealism, and Their Heritage37 cited
  • 1961The art of assemblage33 cited

Cited by

  • 2020Performance and the philosopher’s costume: Richard Shusterman as the Man in Gold5 cited

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