De la beauté comme symbole de la paix perpétuelle

Abstract

Abstract In this article I consider the Kantian preference for natural beauty from a socio-political point of view. Instead of only regarding the “intellectual” significance of beauty in nature as a symbol of morality, I show that the aesthetic appreciation of natural beauty must also be understood in its dialectical relation to society as “the place of antagonism.” By highlighting this dialectical understanding, I point out the socio-political contribution of aesthetic experience for the cultural progress of humanity. The fragility of beauty in the context of culture can be further interpreted as a symbol of the temporality of the project of perpetual peace in politics.

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