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'Taken on the Spot': The Visual Appropriation of New France for the Global British Landscape
16 references·1 citing·30 second hop
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References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1993Imperial Eyes: Travel Writing and Transculturation.4,974 cited
  • 1977The Tourist: A New Theory of the Leisure Class.3,817 cited
  • 2003Britons : Forging the Nation, 1707-18371,207 cited
  • 1989The Iconography of Landscape: Essays on the Symbolic Representation, Design and Use of past Environments828 cited
  • 1998The Pleasures of the Imagination: English Culture in the Eighteenth Century498 cited
  • 2003The island race: Englishness, empire and gender in the eighteenth century478 cited
  • 1980The Dark Side of the Landscape: The Rural Poor in English Painting 1730–1840412 cited
  • 1987Landscape and Ideology. The English Rustic Tradition, 1740-1860.408 cited
  • 2015Landscape and Power403 cited
  • 1990The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760-1800376 cited
  • 1998Mapping an Empire: The Geographical Construction of British India, 1765-1843286 cited
  • 1987European Vision and the South Pacific.158 cited
  • 2012An Historical Disquisition Concerning the Knowledge Which the Ancients Had of India137 cited
  • 1983An Odd Attempt in a Woman: The Literary Life of Frances Brooke

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103 cited
  • 2001Beth Fowkes Tobin. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Durham: Duke University Press. 1999. Pp. xiv, 306. $18.95 paper. ISBN 0-8223-2338-9.59 cited
  • Cited by

    • 2007An Empire on Paper: The Founding of Halifax and Conceptions of Imperial Space, 1744–559 cited