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De Groote Schouburgh Der Nederlantsche Konstschilders En Schilderessen
0 references·16 citing·38 second hop
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  • 2017Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources31 cited
  • 2019Antoni van Leeuwenhoek, His Images and Draughtsmen18 cited
  • 2007In His Milieu : Essays on Netherlandish Art in Memory of John Michael Montias13 cited
  • 2017Revolutionary Paris and the Market for Netherlandish Art12 cited
  • 2020Female Glass Engravers in the Early Modern Dutch Republic8 cited
  • 2020‘Colouring’ — Material Depiction in Flemish and Dutch Baroque Art Theory7 cited
  • 2016Sensible Natures: Allart Van Everdingen and the Tradition of Sublime Landscape in Seventeenth-Century Dutch Painting6 cited
  • 2022Experimentation and Innovation in Vermeer’s Girl with the Red Hat: New Findings from the National Gallery of Art5 cited
  • 2016Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer5 cited
  • 2020The Drawings of Gerard de Lairesse: State of Affairs3 cited
  • 2009Was Hendrick ter Brugghen a Melancholic3 cited
  • 2020The Hands Behind Lairesse’s Masterpieces: Gerard de Lairesse’s Workshop Practice2 cited
  • 2015Sublime Still Life: On Adriaen Coorte, Elias van den Broeck, and the Je ne sais quoi of Painting2 cited

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2013
The Universal Art of Samuel van Hoogstraten (1627-1678)
2 cited
  • 2020Fleeting Senses and Enduring Love: Lairesse and the Van Rijn Children. Lairesse and Portraiture2 cited
  • 2018Hunting Worlds Turned Upside Down? Paulus Potter’s Life of a Hunter2 cited