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Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography
16 references·13 citing·31 second hop
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this work references cited by second hop

References

  • 1981Classic Essays on Photography619 cited
  • 1995Image and Mind552 cited
  • 2015Philosophical investigations549 cited
  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 2010A Philosophy of Cinematic Art261 cited
  • 1982Thinking Photography239 cited
  • 1981Photography and Representation183 cited
  • 1975Photography, Vision, and Representation148 cited
  • 2004Understanding Pictures138 cited
  • 2010A philosophy of cinematic art137 cited
  • 2004On the Epistemic Value of Photographs133 cited
  • 1993Mimesis as Make-Believe: On the Foundations of the Representational Arts.117 cited
  • 1985The Specificity of Media in the Arts105 cited
  • 1989Philosophical problems of classical film theory102 cited
  • 2003The Photography Reader97 cited
  • 2003The Aesthetics of Photographic Transparency94 cited

Cited by

  • 2013Beyond Resemblance83 cited

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  • 2013What are the primary bearers of truth?52 cited
  • 2011On “Epistemic Permissiveness”48 cited
  • 2013PHOTOGRAPHICALLY BASED KNOWLEDGE40 cited
  • 2013Confidence, Evidence, and Disagreement35 cited
  • 2019A Formal Account of Epistemic Defeat30 cited
  • 2017Defeaters in current epistemology: introduction to the special issue30 cited
  • 2017Fotografi adalah Seni: Sanggahan terhadap Analisis Roger Scruton mengenai Keabsahan Nilai Seni dari Sebuah Foto17 cited
  • 2010Emergence and singular limits17 cited
  • 2012Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts11 cited
  • 2016Timeless Traces of Temporal Patterns7 cited
  • 2012Introduction3 cited
  • 2019Spontaneity and Materiality: What Photography is in the Photography of James Welling2 cited